Posts Tagged ‘season finale review’
 

 

THE SKED SEASON FINALE REVIEW: “Longmire”

  In its second season, A&E’s neo-western LONGMIRE has become a superior procedural-plus, effectively knitting together both its frontier and cop genres and its crime-of-the-week and serialized storylines with an...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Necessary Roughness”

  The renovations on Season 3 of NECESSARY ROUGHNESS worked out quite well.  The series jettisoned its original setting and much of its supporting cast, moving Dr. Dani Santino (Callie Thorne) from her job as in-house the...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Major Crimes”

  TNT’s MAJOR CRIMES, like its predecessor The Closer, belongs to the “procedural-plus” subgenre, with a crime to be solved every week combined with a secondary amount of continuing serialized plot.  Ho...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “True Blood”

  This was, for the most part, a solid rebuilding season for TRUE BLOOD.  The show survived a replacement in showrunners when series creator Alan Ball stepped down after 5 years–and then a replacement of that replac...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Crossing Lines”

  The peril of dotting a season finale with cliffhangers is that if the show is canceled, they’ll never be resolved.  That may very well be the dilemma for fans of NBC’s summer drama CROSSING LINES, which clos...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Franklin & Bash”

  FRANKLIN & BASH made a few cosmetic changes for its third summer on TNT, but nothing to disrupt the show’s basic air of genial dishevelment.  The most high-profile move was bringing in Heather Locklear as new ...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “King & Maxwell”

  KING & MAXWELL isn’t the kind of show you’d particularly expect to see evolve between its premiere and season finale, and in fact it didn’t.  That’s too bad, because the TNT series, developed...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “The Fosters”

  THE FOSTERS had a very busy first season (or half-season, depending on whether you count ABCFamily’s practice of ordering 10 summer episodes and then 10 more for winter as one season or two). There was, to begin w...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Falling Skies”

  FALLING SKIES told a somewhat different story this season under showrunner Remi Aubuchon than it had in its first two years, and the changes worked fairly well for the most part.  Tom Mason (Noah Wyle) and his plucky ba...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “The Killing”

  After three seasons, THE KILLING is still hard to get a fix on.  Technically it’s a murder mystery, but efficiently and intelligently spinning out crime stories is what it’s least good at–its narrative...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “Defiance”

  DEFIANCE never really got much momentum going in its first season, and although there were quite a few major developments in tonight’s season finale, events clearly meant to be shattering and dramatic, it all felt ...
by Mitch Salem
 

 
 

THE SKED SERIES FINALE REVIEW: “The Goodwin Games”

  THE GOODWIN GAMES probably should have been a movie.  Its extremely high-concept premise–three estranged siblings come back to their hometown after their father’s death, forced to solve a series of posthumou...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Maron”

  In its first season, Marc Maron’s self-created series MARON was more of an uneven experiment than a cohesive series.  Maron tried on several different formats in the course of its 10 episodes on IFC–mordant ...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Mad Men”

  There was hardly a moment in Season 6 of MAD MEN when Don Draper (Jon Hamm) seemed to feel comfortable in his own skin.  Oh sure, he could gather up some venom when he had the chance to cut colleague Ted Chaough (Kevin ...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Veep”

  No show enjoys running around in circles more than VEEP.  Armando Ianucci’s political sitcom glories in Vice-President Selina Meyer (Julia Louis-Dreyfus) and her staff of venal incompetents mistakenly navigating t...
by Mitch Salem