Posts Tagged ‘season finale review’
 

 

THE SKED SEASON FINALE REVIEW: “Once Upon A Time”

  When a show that’s clearly been losing its way creatively suffers in the ratings, like Revenge, it’s understandable.  But ONCE UPON A TIME has run out of steam this season much faster than ABC likely anticip...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Revenge”

  Heroes probably still sets the bar for disastrous second seasons of initially enjoyable TV shows, but this year’s REVENGE came uncomfortably close.  ABC more or less acknowledged that fact when it (in a genteel, c...
by Mitch Salem
 

 

 

THE SKED SERIES FINALE REVIEW: “Vegas”

  There was a sequence late in the one and only season of VEGAS that suggested what the show could have been.  It wasn’t a big deal:  deputy sheriff Dixon Lamb (Taylor Handley) needed a favor from the entertainment...
by Mitch Salem
 

 
 

THE SKED SERIES FINALE REVIEW: “Touch”

  If there was a way to turn its premise into a TV series worth watching, TOUCH didn’t find it.  The show tried very different approaches in its two seasons, but FOX’s cancellation notice this week closed the ...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Person of Interest”

  The all-knowing Machine at the heart of PERSON OF INTEREST turned positively chatty in last night’s Season 2 finale, providing real-time advice and assistance via phone and text services to just about anyone who as...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Community”

  Truth be told, Season 4 of COMMUNITY was probably closer to what NBC thought it was buying when it originally ordered the show than any of the seasons that preceded it.  Eccentric but not insular, offbeat but not off-pu...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Hart of Dixie”

  Sometimes shows overthink their season finales, and that may have been the case with tonight’s HART OF DIXIE.  The show has gotten along quite well all season in its native Bluebell, Alabama, but for the finale se...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Happy Endings”

  Here lies HAPPY ENDINGS, one of the funniest comedies on all of television–foully murdered by some of the worst scheduling moves in recent network memory.  ABC began the season by sending the show (along with Don&...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: ‘Parks & Recreation”

  Like the famous tortoise, PARKS & RECREATION has hung in there long enough to become the highest-rated (all-but-certainly) returning sitcom on NBC’s air.  That is, admittedly, a low bar, but it’s still a...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “The Americans”

  FX’s THE AMERICANS has been, by a substantial margin, the best new show of this season.  And if tonight’s season finale was slightly less ambitious than we might have hoped in terms of delivering the shockin...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “The Good Wife”

  It’s a little churlish, in the face of tonight’s mostly splendid Season 4 finale of THE GOOD WIFE, to point out that for the most part, the rest of the season didn’t quite live up to its high level of ...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Vikings”

  History Channel has been on quite a streak in its last two seasons.  Its first foray into scripted television, the miniseries Hatfields & McCoys, was a surprise smash hit, as was this year’s follow-up The Bibl...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Suburgatory”

  When SUBURGATORY went on the air last season, it had a clear vision:  as the title suggests, it was a light but acerbic satire about the perils of living a few too many miles from New York City, reflected through the ga...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Dallas”

  The Ewing family had to figure out how to muddle through this season after the loss of its most illustrious and colorful member, and so did the TV show that created them all.  DALLAS survived the death of Larry Hagman, ...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Go On”

  GO ON is a genuine bubble show–not just in its ratings (which are strong when it has The Voice as a lead-in and barely acceptable when it doesn’t), but in its quality.  The series wobbles from episode to epi...
by Mitch Salem