Posts Tagged ‘season finale review’
 

 

THE SKED SEASON FINALE REVIEW: “Hannibal”

  As this new era of television drama has developed, people have talked wistfully about the broadcast networks airing shows with the distinctiveness and stylization (and darkness) we now associate with cable, but really th...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “The Client List”

  There’s something inherently fascinating about the contortions that Lifetime, one of the squarest of cable networks, has to go through to balance the titillation factor of its hit series THE CLIENT LIST with what i...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Nurse Jackie”

  It’s impossible to discuss the season finale of NURSE JACKIE–or, as it turns out, its entire fifth season–without talking about its final minute, so I’ll skip to the next paragraph to ward off any...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Game of Thrones”

  There are a multitude of serialized dramas on television these days, but none has fully embraced the form in the way that GAME OF THRONES does.  The other serials nearly always hedge their bets:  there’s a story...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Army Wives”

  Even though nothing particularly thrilling happened on this seventh season of ARMY WIVES, it was a crucial season for Lifetime’s veteran drama.  The show completed the reboot it had begun in Season 6, and assuming...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Da Vinci’s Demons”

  Starz’s DA VINCI’S DEMONS was unsatisfactory in just about every respect, all the way through to tonight’s Season 1 finale, a cluster of cliffhangers that resolved almost nothing.  Watching the end of ...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Revolution”

  The second half of REVOLUTION‘s season tried to be interesting, God knows.  The initial run of episodes after the pilot mostly seemed to consist of our heroes trudging through forests, on the trail of militia-capt...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Orphan Black”

  Every so often, a show comes along that makes you want to run up to random people in the street and yell “Why aren’t you watching this?”  right in their uncomprehending faces.  ORPHAN BLACK probably w...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Psych”

  Tonight’s Season 7 finale of PSYCH promised at least a bit of a shake-up for Season 8, and even though it looks to be less extreme than it should have been and likely just temporary, it’s welcome.  7 seasons...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Chicago Fire”

  NBC is all-in on CHICAGO FIRE.  Not only has it given the show a plum spot for the fall on Tuesdays with The Voice as its lead-in, it’s ordered a police-oriented spin-off for midseason.  All this enthusiasm is a ...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Law & Order: SVU”

  You can take a time-travel journey back to 20th-century network television with LAW & ORDER: SVU, the last remnant of Dick Wolf’s once-behemoth franchise.  Visiting the show for the first time since last fall ...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Nashville”

  NASHVILLE is a superior network series, loaded with talent and powerful moments, but it can also drive you up a wall, beset as it is with sometimes infuriating shortcomings.  The same was true for tonight’s season...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Modern Family”

  After 4 seasons as a smash hit, MODERN FAMILY isn’t too concerned with creating forward momentum.  The show is better at what it does than just about anything else on television; the ratings may be down, but so ar...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Grimm”

  The second season of NBC’s GRIMM was considerably more satisfying than its first, although it did show the strain of trying to establish a series mythology.  The season’s final episode (really, last weekR...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Rectify”

  When people say that an original film or television series has the feel of a novel, it’s usually meant as a high compliment.  (The Wire is probably the definitive example of this in television.)  But Sundance Cha...
by Mitch Salem