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THE SKED SEASON FINALE REVIEW: “New Girl”

  NEW GIRL only got better this season.  There are TV comedies that are good at silly (Happy Endings, The Neighbors), and there are some that are great at soulful (Parks & Recreation more than any).  But combining si...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Once Upon A Time”

  When a show that’s clearly been losing its way creatively suffers in the ratings, like Revenge, it’s understandable.  But ONCE UPON A TIME has run out of steam this season much faster than ABC likely anticip...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “The Walking Dead”

  The biters and the Governor took their toll on the humans who remained in Season 3 of THE WALKING DEAD, but the show’s potentially most damaging casualty may have been at AMC’s own hand, when it decided to ge...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Rectify”

  When people say that an original film or television series has the feel of a novel, it’s usually meant as a high compliment.  (The Wire is probably the definitive example of this in television.)  But Sundance Cha...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Longmire”

  In its second season, A&E’s neo-western LONGMIRE has become a superior procedural-plus, effectively knitting together both its frontier and cop genres and its crime-of-the-week and serialized storylines with an...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Under the Dome”

  UNDER THE DOME hasn’t been particularly important as TV drama, but it’s provided some vital information to the broadcast network business.  After years–decades, really–of treating summer as a re...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “King & Maxwell”

  KING & MAXWELL isn’t the kind of show you’d particularly expect to see evolve between its premiere and season finale, and in fact it didn’t.  That’s too bad, because the TNT series, developed...
by Mitch Salem
 
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THE SKED Season Finale Review: “Defiance”

  DEFIANCE never really got much momentum going in its first season, and although there were quite a few major developments in tonight’s season finale, events clearly meant to be shattering and dramatic, it all felt ...
by Mitch Salem
 
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THE SKED SERIES FINALE REVIEW: “Vegas”

  There was a sequence late in the one and only season of VEGAS that suggested what the show could have been.  It wasn’t a big deal:  deputy sheriff Dixon Lamb (Taylor Handley) needed a favor from the entertainment...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Falling Skies”

  FALLING SKIES told a somewhat different story this season under showrunner Remi Aubuchon than it had in its first two years, and the changes worked fairly well for the most part.  Tom Mason (Noah Wyle) and his plucky ba...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Justified”

  Season 4 of  JUSTIFIED may or may not have been its best so far–Margo Martindale’s Mags Bennett still towers over Season 2–but it was unquestionably the most thrillingly novelistic, true to the show...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Californication”

  In its sixth season, Showtime’s CALIFORNICATION barely tried to achieve forward motion.  Every year, occasional novelist and full-time satyr Hank Moody (David Duchovny) toys with reform (which barely lasts an epis...
by Mitch Salem
 
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THE SKED SERIES FINALE REVIEW: “The Office”

  Has any great television series ever had the protracted, agonizing death of THE OFFICE?  We’re used to shows that stay on the air past their prime, and to those with disappointing or even disastrous finale episode...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Army Wives”

  Even though nothing particularly thrilling happened on this seventh season of ARMY WIVES, it was a crucial season for Lifetime’s veteran drama.  The show completed the reboot it had begun in Season 6, and assuming...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: ‘Parks & Recreation”

  Like the famous tortoise, PARKS & RECREATION has hung in there long enough to become the highest-rated (all-but-certainly) returning sitcom on NBC’s air.  That is, admittedly, a low bar, but it’s still a...
by Mitch Salem
 
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