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THE SKED SEASON FINALE REVIEW: “Maron”

  In its first season, Marc Maron’s self-created series MARON was more of an uneven experiment than a cohesive series.  Maron tried on several different formats in the course of its 10 episodes on IFC–mordant ...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “New Girl”

  NEW GIRL only got better this season.  There are TV comedies that are good at silly (Happy Endings, The Neighbors), and there are some that are great at soulful (Parks & Recreation more than any).  But combining si...
by Mitch Salem
 
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THE SKED Season Finale Review: “American Horror Story: Coven”

  This year’s COVEN season of AMERICAN HORROR STORY was as cohesive as the proudly bizarre  series is ever likely to get.  That entailed a slight shortage of the WTF variety moments that have made the two previous ...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “CSI”

  As of this week, there’s just one CSI left standing on CBS, and after 13 years, it’s the original recipe.  Having survived the bump in its creative road a couple of seasons ago when the misguided hire of Lau...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Person of Interest”

  The all-knowing Machine at the heart of PERSON OF INTEREST turned positively chatty in last night’s Season 2 finale, providing real-time advice and assistance via phone and text services to just about anyone who as...
by Mitch Salem
 
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THE SKED Season Finale Review: “Hell On Wheels”

  Under new showrunner John Wirth, the third season of HELL ON WHEELS was on the whole uneven, and tonight’s season finale unfortunately wasn’t a very promising way for the bubble show to end its year. Wirth...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Suburgatory”

  When SUBURGATORY went on the air last season, it had a clear vision:  as the title suggests, it was a light but acerbic satire about the perils of living a few too many miles from New York City, reflected through the ga...
by Mitch Salem
 
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THE SKED SERIES FINALE REVIEW: “Vegas”

  There was a sequence late in the one and only season of VEGAS that suggested what the show could have been.  It wasn’t a big deal:  deputy sheriff Dixon Lamb (Taylor Handley) needed a favor from the entertainment...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “True Blood”

  This was, for the most part, a solid rebuilding season for TRUE BLOOD.  The show survived a replacement in showrunners when series creator Alan Ball stepped down after 5 years–and then a replacement of that replac...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Longmire”

  In its second season, A&E’s neo-western LONGMIRE has become a superior procedural-plus, effectively knitting together both its frontier and cop genres and its crime-of-the-week and serialized storylines with an...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Go On”

  GO ON is a genuine bubble show–not just in its ratings (which are strong when it has The Voice as a lead-in and barely acceptable when it doesn’t), but in its quality.  The series wobbles from episode to epi...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “The Mindy Project”

  THE MINDY PROJECT has spent much of its first season shambling toward what kind of show it wants to be, but its struggles have become progressively more entertaining to watch. Mindy started with an enormous amount of goo...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Major Crimes”

  MAJOR CRIMES has been doing for TNT what it was created to do–that is, fill the hole left by the departure of the network’s long-running hit The Closer–and it’s earned the Season 2 renewal it̵...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Falling Skies”

  FALLING SKIES told a somewhat different story this season under showrunner Remi Aubuchon than it had in its first two years, and the changes worked fairly well for the most part.  Tom Mason (Noah Wyle) and his plucky ba...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Raising Hope”

  Greg Garcia has made a successful niche for himself on network television as poet of the lower-middle-class, small-town, gently surrealist sitcom, first with My Name Is Earl and now with RAISING HOPE.  The only problem ...
by Mitch Salem
 
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