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THE SKED SEASON FINALE REVIEW: “Motive”

  Even among procedurals, ABC’s Canadian summer series MOTIVE was a bare-bones example of the genre–it was virtually abstract.  The show had a single gimmick:  at the start of each episode, the killer and vic...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “New Girl”

  NEW GIRL only got better this season.  There are TV comedies that are good at silly (Happy Endings, The Neighbors), and there are some that are great at soulful (Parks & Recreation more than any).  But combining si...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Banshee”

  As a series, Cinemax’s BANSHEE has been notable for the sheer knock-down, drag-out-edness of its action scenes.  One episode started with a bungled robbery which led to a chase that must have lasted 10 minutes, an...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “CSI”

  As of this week, there’s just one CSI left standing on CBS, and after 13 years, it’s the original recipe.  Having survived the bump in its creative road a couple of seasons ago when the misguided hire of Lau...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Nikita”

  With its endless governmental and quasi-governmental conspiracies and its sci-fi technology, NIKITA has always flirted with sheer silliness, and in its Season 3 finale the show went all the way.  Its ratings have also f...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Guys With Kids”

  It won’t surprise anyone if last night’s episode of GUYS WITH KIDS turns out to be not just its season finale but its farewell to the airwaves.  The show has struggled with ratings in the low 1s all season, ...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Longmire”

  In its second season, A&E’s neo-western LONGMIRE has become a superior procedural-plus, effectively knitting together both its frontier and cop genres and its crime-of-the-week and serialized storylines with an...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Homeland”

  What kind of show, in the end, is HOMELAND?  Focus groups are often asked simply to describe whatever it is they’ve just seen, and Homeland has tried to be a romance, a thriller, an action adventure, a story about...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Major Crimes”

  TNT’s MAJOR CRIMES, like its predecessor The Closer, belongs to the “procedural-plus” subgenre, with a crime to be solved every week combined with a secondary amount of continuing serialized plot.  Ho...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Twisted”

  Whenever The Killing feels badly about how abused it gets for being a lame murder mystery dotted with time-wasting red herrings, it can look over at TWISTED to boost its morale.  With the help of the biggest lead-in ABC...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “House of Lies”

  Showtime’s HOUSE OF LIES was a bit more ambitious in its second season, and that was a good move, even if the results were uneven.  In its initial season, House was all too clearly a companion piece for Californic...
by Mitch Salem
 
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THE SKED’S SEASON FINALE REVIEW: “Downton Abbey”

  The gap between British and US airings of DOWNTON ABBEY gives rise to some dislocations.  The series airs each fall in England, but PBS holds it for January-February because it doesn’t want to compete with the sta...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Justified”

  Season 4 of  JUSTIFIED may or may not have been its best so far–Margo Martindale’s Mags Bennett still towers over Season 2–but it was unquestionably the most thrillingly novelistic, true to the show...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Law & Order: SVU”

  You can take a time-travel journey back to 20th-century network television with LAW & ORDER: SVU, the last remnant of Dick Wolf’s once-behemoth franchise.  Visiting the show for the first time since last fall ...
by Mitch Salem
 
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Reviews

THE SKED SERIES FINALE REVIEW: “Vegas”

  There was a sequence late in the one and only season of VEGAS that suggested what the show could have been.  It wasn’t a big deal:  deputy sheriff Dixon Lamb (Taylor Handley) needed a favor from the entertainment...
by Mitch Salem
 
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