Posts Tagged ‘showbuzzdaily box office’
 

 

EARLY FRIDAY BOX OFFICE: “Just Getting Started” Stops Dead, “The Disaster Artist” Goes Wide, “Coco” Wins Again

  The studios remained largely averse to going wide on the weekend before The Last Jedi devours the universe.  JUST GETTING STARTED (Broad Green) was thrown with little ceremony and no advance reviews into 2161 theatres, ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 6.3.2018

  OPENINGS:  ADRIFT (H Brothers/STX) was at the top of a very low hill with $11.5M (plus $350K in 9 overseas territories).  STX, which only has domestic rights, is claiming to be on the hook for only around $30M in limit...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 2.13.2022

  OPENINGS:  Note that the entire market in the US will be hit by Super Bowl Sunday, which will be down from Saturday by roughly double the percentage of the usual Saturday-Sunday drop.  (However, Hollywood will hope for...
by Mitch Salem
 

 
 

Behind the US/Worldwide Box Office – 4.23.2023

  OPENINGS:  EVIL DEAD RISE (Warners) modestly exceeded expectations with $23.5M, although that was still below the franchise’s last reboot in 2013 at $25.8M (which only reached a $54.2M total in the US and didnR...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 11.19.2017

  OPENINGS:  Could JUSTICE LEAGUE (RatPac/DC/Warners) actually lose money?  That possibility exists after a worldwide opening (except Japan, not a huge superhero market) that hit only $281.5M, a number that sounds big on...
by Mitch Salem
 

 
 

Behind the Weekend US/Worldwide Box Office – 11/20/16

  OPENINGS:  The economics for FANTASTIC BEASTS AND WHERE TO FIND THEM (Warners) will probably put the film at $600-700M worldwide against roughly $350M in costs.  That’s a profitable place to be, although not quit...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 12.15.2024

  OPENINGS:  Expectations were low for KRAVEN THE HUNTER (Marvel/TSG/Columbia/Sony), and it still managed to under-deliver, with a puny $11M start.  Even though Kraven had moderate costs by superhero movie standards (aro...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 7.21.2019

  OPENINGS:  THE LION KING (Disney) was expected to be the crown jewel in Disney’s recreations of its animated classics, and despite sharply mixed reviews, it delivered with a $185M opening weekend–and that st...
by Mitch Salem
 

 

 

EARLY FRIDAY BOX OFFICE: All Lions & Tigers & Bears As “Jungle Book” Devours “Keanu,” “Mother’s Day”

  With summer blockbuster season just days away, none of the studios brought their A game this weekend.  KEANU (New Line/Warners) isn’t going to do for Keegan Michael-Key and Jordan Peele what Trainwreck did for Com...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 12.9.2018

  OPENINGS:  There were no new wide openings on this pre-holiday season weekend in the US, but things were busier overseas.  AQUAMAN (DC/Warners), which won’t arrive in the US until December 21, launched in China w...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 10.22.2023

  OPENINGS:  What are we to make of the $23M start for KILLERS OF THE FLOWER MOON (Paramount/Apple)?  As serious 3+hour historical epics go, while it’s a small fraction of Oppenheimer‘s $82.5M launch, it̵...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 2.5.17

  OPENINGS:  It’s still too soon to gauge whether RINGS (Paramount) can creep its way to breakeven with international help (total production/marketing costs are $75M+), but it’s certainly not performing well e...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 3.25.2018

  OPENINGS:  PACIFIC RIM: UPRISING (Legendary/Universal) pulled in a family audience on Saturday, giving it a 3% bump, while the first Pacific Rim had dropped 13% on its 2nd day of release.  That pushed Uprising‘s ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 2.23.2020

  OPENINGS:  THE CALL OF THE WILD (20th/Disney) did a bit better than expected at $24.8M, but in the long run that’s not likely to make much difference.  Similarly to Dolittle (although much more quietly), Call of ...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 12.26.2021

  A few notes:  this week’s newcomers opened along a range of dates, including Tuesday night, Wednesday, Friday night and Saturday, and those scheduling decisions had an affect on the totals below.  Also, the fact ...
by Mitch Salem