Posts Tagged ‘showbuzzdaily box office’
 

 

Behind the US/Worldwide Weekend Box Office – 7.1.2018

  OPENINGS:  SICARIO: DAY OF THE SOLDADO (Black Label/Columbia/Sony) had a modest $19M start, which was better than the first Sicario‘s $12.1M (in October, after 2 weeks of limited release), but perhaps not by enoug...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 5.26.2024

  OPENINGS:  It was a bleak Memorial Day weekend at the box office, the worst in decades.  FURIOSA: A MAD MAX SAGA (Warners) limped to a victory for Friday-Sunday with $25.5M, but it may well tumble to 2nd place once the...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 11.21.2021

  OPENINGS:  GHOSTBUSTERS: AFTERLIFE (Columbia/Sony) opened with $44M, which was $2M below the launch of the 2016 Ghostbusters, a result treated as such a disaster that the franchise had to be re-rebooted.  Afterlife, th...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 3.25.2018

  OPENINGS:  PACIFIC RIM: UPRISING (Legendary/Universal) pulled in a family audience on Saturday, giving it a 3% bump, while the first Pacific Rim had dropped 13% on its 2nd day of release.  That pushed Uprising‘s ...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 10.8.2017

  OPENINGS:  Coming into this weekend, the discussion about BLADE RUNNER 2049 (Alcon/Sony/Warners) was mostly about whether with its critical raves it could exceed expectations by 20% or so and become October’s #1 o...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 2.20.2022

  OPENINGS:  UNCHARTED (Columbia/Sony) had a strong start with $44.2M ($51M with the holiday Monday), once again largely due to the M18-34 demo, but also suggesting that Tom Holland may be emerging as an action star even ...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 1.9.2022

  OPENINGS:  It’s likely that THE 355 (Universal) would have been challenged at the box office even in normal times, considering that its level of action spectacle is significantly lower than superhero movies can af...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 11.6.2022

  OPENINGS:  ONE PIECE FILM: RED (Crunchyroll/Sony) opened at $9.5M, on the low end of recent national anime releases compared to Jujutsu Kaisen‘s $18M and Dragon Ball Super‘s $21.1M.  As is typical for the g...
by Mitch Salem
 

 

 

US/Worldwide Weekend Box Office Report – 5.2.2021

  OPENINGS:  The only wide opening of the aweek was the low-budget horror movie SEPARATION (Open Road), which had a slow start at $1.8M. There were some new limited releases, led by FOUR GOOD DAYS (Vertical) at 298 theatr...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 5.26.2019

  OPENINGS:  ALADDIN (Disney) will probably be in the top half-dozen Memorial Day openings when Monday brings it to $105M or so (the 3-day total is $86.1M).  Compared to other Disney live-action reboots of animated hits,...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 8.6.2023

  OPENINGS:  The 3-day weekend in the US went narrowly to MEG 2: THE TRENCH (CMC/Warners) with $30M.  That was down more than 1/3 from the $45.4M start for The Meg in 2018, which would ordinarily be concerning for a film...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 12.31.2017

  OPENINGS:  ALL THE MONEY IN THE WORLD (Imperative/TriStar/Sony) opened on Monday to an indifferent public that didn’t care about Kevin Spacey being replaced with Christopher Plummer, and nothing has changed over t...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 12/4/16

  OPENINGS:  The big studios wanted no part of the weekend after Thanksgiving, and the only arrivals were a pair of fringe indies.  Even for a micro-budgeted horror product, INCARNATE (High Top/Blumhouse/Universal) was a...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 1.14.2024

  OPENINGS:  The musical remake of MEAN GIRLS (Paramount) was within expectations at $28M for the 3-day weekend ($32M is anticipated with the inclusion of Monday’s MLK Day holiday).  The film, which was originally ...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 11.3.2024

  OPENINGS:  Despite being the only high-profile arrival of the week, and having a pedigree and visual style that guaranteed it media attention, Robert Zemeckis’s HERE (Miramax/TriStar/Sony) bombed with $5M.  It...
by Mitch Salem