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SHOWBUZZDAILY Sundance Film Festival Reviews: “After the Wedding” & “Adam”

  AFTER THE WEDDING (no distrib):  The Danish 2006 After the Wedding, which won that year’s Best Foreign Film Oscar, was shot by director Suzanne Biers in the then-trendy Dogma style, heavy on pseudo-verite camerawo...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “The Report” & “Them That Follow”

  THE REPORT (Amazon):  Scott Z. Burns’s political expose is important and engrossing, but it’s composed of so much exposition that it may have trouble finding a mainstream audience.  (Which made Amazon’...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Reviews: “Save Yourselves!” & “The Fight”

  SAVE YOURSELVES! (no distrib):  A moderately amusing sketch that doesn’t quite have the heft for feature length.  Writer/directors Alex Huston Fischer and Eleanor Wilson satirize Brooklyn hipsters and sci-fi in t...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance 2022 Reviews: “892” & “After Yang”

  892 (no distrib):  John Boyega’s turbo-charged performance fuels this true story.  In 2017, when Brian Brown-Easley (Boyega) entered a Wells Fargo branch in a suburb of Atlanta and informed the teller that his ba...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Horse Girl,” “Happy Happy Joy Joy” & “Kajillionaire”

  HORSE GIRL (Netflix – February 7):  Every one of the four films Jeff Baena has directed had its premiere at Sundance, with Horse Girl following Life After Beth, Joshy and The Little Hours.  It’s an impressi...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Virtual Sundance Reviews: “Land,” “Together Together” & “Marvelous and the Black Hole”

  MARVELOUS AND THE BLACK HOLE:  Goodhearted YA comfort food.  Kate Tsang’s feature debut is about 13-year old Sammy (Miya Cech), who has become surly and rebellious toward her father Angus (Leonardo Nam) and siste...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Reviews: “Shirley,” “Surge” & “The Climb”

  SHIRLEY (no distrib):  Josephine Decker’s film isn’t really a biography of the horror writer Shirley Jackson (The Haunting of Hill House, The Lottery), played here by Elizabeth Moss.  The script by Sarah Gu...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance 2022 Reviews: “When You Finish Saving The World” & “Fresh”

  It’s the second consecutive Virtual Sundance, with safety, convenience and isolation in place of weather, shuttle buses and community.  Over the next several days, we’ll be bringing you reviews of several Su...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “State Of the Union” & “Fighting With My Family”

  STATE OF THE UNION (Sundance Channel):  The lines between narrative visual media continue to blur, and State Of the Union is an A-list talent contribution to a genre that doesn’t exactly exist yet.  It’s a ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Reviews: “The Father,” “Nine Days” & “The Glorias”

  THE FATHER (Sony Classics – TBD):  It’s probably foolhardy to start making predictions about next year’s Oscars when this year’s haven’t even been handed out yet, but it’s hard to ima...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance 2022 Reviews: “Nanny,” “Good Luck To You, Leo Grande” & “Resurrection”

  NANNY (no distrib):  Think Netflix’s Maid, but as a (sort of) horror movie.  Aisha (Anna Diop) is an undocumented Senegalese immigrant in New York who works as a nanny for the daughter of a well-off couple, Amy (...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Official Secrets” & “Greener Grass”

  OFFICIAL SECRETS (IFC):  Film festivals have a way of creating unintended double features when thematically similar films are seen in close proximity, and it’s hard to watch Gavin Hood’s Official Secrets wit...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance 2022 Reviews: “Palm Trees and Power Lines,” “Am I OK?” and “Lucy and Desi”

  PALM TREES AND POWER LINES (no distrib):  Jamie Dack’s first feature film (from a script written with Audrey Findlay) means to unsettle, and it does.  17-year old Lea (Lily McInerny) is stuck in a dead-end Southe...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Virtual Sundance Reviews: “Passing,” “Street Gang” & “Mass”

  PASSING:  The actress Rebecca Hall has taken a big swing in her writing/directing debut.  Her film Passing, based on the 1929 novel by Nella Larsen, embraces ambitious, difficult themes with sensitivity and expertise.�...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance 2022 Reviews: “God’s Country” & “Phoenix Rising”

  GOD’S COUNTRY (no distrib):  A deliberative character study that’s also a thriller of sorts, anchored by one of the best performances of Thandiwe Newton’s career.  When two hunters (Joris Jarsky and Y...
by Mitch Salem
 
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