Posts Tagged ‘showbuzzdaily Sundance reviews’
 

 

ShowbuzzDaily’s Sundance 2022 Reviews: “Living,” “Call Jane” & “Watcher”

  LIVING (no distrib):  Over the years, there’s periodically been talk about remaking Akira Kurosawa’s 1952 masterpiece Ikiru, including a rumored updated US version that would have starred Tom Hanks in the le...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Luce” & “Sonja: The White Swan”

  LUCE (Neon):  Julius Onah’s film was one of the most gripping and provocative of the festival, combining a tale about social and racial tensions with the suspense of a psychological thriller.  Based by director J...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Review: “The Farewell”

  THE FAREWELL (A24):  Lulu Wang’s The Farewell is what could be called Sundance Classic, a small, very personal film nurtured by the festival into wide enough attention that A24 paid $6M to release it.  It’s...
by Mitch Salem
 

 
 

ShowbuzzDaily Sundance 2022 Review: “My Old School”

  MY OLD SCHOOL (no distrib):  Although the story is apparently well-known in the UK, here the twisty tale that Jono McLeod unfurls in his documentary would constitute a spoiler, so we’ll leave things vague here.  ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Brittany Runs A Marathon” & “Big Time Adolescence”

  BRITTANY RUNS A MARATHON (Amazon):  Paul Downs Colaizzo, previously a playwright, makes a remarkably assured film writing/directing debut with Brittany Runs a Marathon, which features a breakout star performance by Jill...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Reviews: “The Nest,” “Wendy” & “Sylvie’s Love”

  THE NEST (no distrib):  Sean Durkin’s first feature since 2011’s Martha Marcy May Marlene presents its emotions with such high-intensity beams that it often feels as though the film is going to slip into the...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Official Secrets” & “Greener Grass”

  OFFICIAL SECRETS (IFC):  Film festivals have a way of creating unintended double features when thematically similar films are seen in close proximity, and it’s hard to watch Gavin Hood’s Official Secrets wit...
by Mitch Salem
 

 
 

ShowbuzzDaily Sundance 2022 Reviews: “892” & “After Yang”

  892 (no distrib):  John Boyega’s turbo-charged performance fuels this true story.  In 2017, when Brian Brown-Easley (Boyega) entered a Wells Fargo branch in a suburb of Atlanta and informed the teller that his ba...
by Mitch Salem
 

 

 

ShowbuzzDaily Sundance 2022 Reviews: “When You Finish Saving The World” & “Fresh”

  It’s the second consecutive Virtual Sundance, with safety, convenience and isolation in place of weather, shuttle buses and community.  Over the next several days, we’ll be bringing you reviews of several Su...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Reviews: “After the Wedding” & “Adam”

  AFTER THE WEDDING (no distrib):  The Danish 2006 After the Wedding, which won that year’s Best Foreign Film Oscar, was shot by director Suzanne Biers in the then-trendy Dogma style, heavy on pseudo-verite camerawo...
by Mitch Salem
 

 

 

ShowbuzzDaily Sundance 2022 Reviews: “God’s Country” & “Phoenix Rising”

  GOD’S COUNTRY (no distrib):  A deliberative character study that’s also a thriller of sorts, anchored by one of the best performances of Thandiwe Newton’s career.  When two hunters (Joris Jarsky and Y...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Reviews: “State Of the Union” & “Fighting With My Family”

  STATE OF THE UNION (Sundance Channel):  The lines between narrative visual media continue to blur, and State Of the Union is an A-list talent contribution to a genre that doesn’t exactly exist yet.  It’s a ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Miss Americana,” “Ironbark” & “Scare Me”

  MISS AMERICANA (Netflix – January 31):  There are certainly areas of Taylor Swift’s life that are carefully elided in MISS AMERICANA (her actor boyfriend’s face and name are absent, for example, and th...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Reviews: “The Report” & “Them That Follow”

  THE REPORT (Amazon):  Scott Z. Burns’s political expose is important and engrossing, but it’s composed of so much exposition that it may have trouble finding a mainstream audience.  (Which made Amazon’...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Virtual Sundance Reviews: “Human Factors,” “Cryptozoo” & “How It Ends”

  HUMAN FACTORS:  Is Ronny Trocker’s Human Factors intended as a political allegory?  The married couple at its center are the German Jan (Mark Waschke) and the French Nina (Sabine Timoteo), and there’s a plo...
by Mitch Salem