Posts Tagged ‘showbuzzdaily Toronto reviews’
 

 

Toronto Film Festival 2024 Review: “Babygirl”

  BABYGIRL (A24 – Dec. 25):  We’ve reached the point where Nicole Kidman’s work ethic has become something of a running gag.  In the past 5 years alone, she’s appeared in an incredible eight feat...
by Mitch Salem
 

 
 

Toronto Film Festival 2024 Reviews: “Heretic” & “Emilia Perez”

  HERETIC (A24 – Nov. 15):  A nifty piece of philosophical horror from Scott Beck and Bryan Woods, the writers of the original A Quiet Place.  The set-up is almost fairy tale in its simplicity.  A pair of young wo...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Hustlers” & “Endings, Beginnings”

  HUSTLERS (STX – September 13):  Lorena Scafaria becomes the latest filmmaker failing to ascend Martin Scorsese Mountain.  Her Hustlers wants to be Goodfellas in its marrow, not only in its based-on-a-true-story t...
by Mitch Salem
 

 
 

Toronto Film Festival 2024 Reviews: “William Tell” & “The Cut”

  WILLIAM TELL (Goldwyn – 2025):  If it requires a certain amount of audacity to take a short children’s story and expand it into a violent adult action epic, that gall has to rise by several orders of magnit...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Hate U Give” & “The Hummingbird Project”

  THE HATE U GIVE (20th – October 19):  YA radicalization.  George Tillman Jr’s film, from a sprawling script by Audrey Wells (based on the novel by Angie Thomas) centers on Starr (Amandla Stenberg), an Afric...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Review: “Lucy In the Sky”

  LUCY IN THE SKY (Fox Searchlight/Disney – October 4):  Lucy In the Sky may be Noah Hawley’s first feature film, but he’s already establishing himself as quite the overdirector.  Hawley’s X-Men o...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Destroyer” & “Climax”

  DESTROYER (Annapurna – Dec. 25):  Another fractured-time thriller, this one trickier than most, because the script by Phil Hay and Matt Manfredi features a sort of time-loop within a loop.  All that structural fa...
by Mitch Salem
 

 
 

Toronto Film Festival 2024 Reviews: “The Wild Robot” & “Disclaimer”

THE WILD ROBOT (DreamWorks Animation/Universal – Sept. 27):  Chris Sanders’s movie is a fairly captivating if unsurprising family entertainment.  In the future, when a plane with a cargo of robots crashes off the ...
by Mitch Salem
 

 

 

Toronto Film Festival 2024 Reviews: “On Swift Horses” & “Hard Truths”

  ON SWIFT HORSES (no distrib):  In the years after World War II, Muriel (Daisy Edgar-Jones) marries Lee (Will Poulter), who’s hardworking and in love with her but not exciting, and they move into the Kansas house ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Fesrival Reviews: “Her Smell” & “Non-Fiction”

  HER SMELL (no distrib – TBD):  Writer-director Alex Ross Perry (The Color Wheel, Listen Up Philip) is a fan of invective, and the punk rocker Becky Something (Elizabeth Moss), when she’s in the full flower o...
by Mitch Salem
 

 

 

Toronto Film Festival 2024 Reviews: “Saturday Night” & “Conclave”

  SATURDAY NIGHT (Columbia/Sony – Sept 27):  It’s easy to imagine a film about Saturday Night Live making a statement about the cultural, political and financial impact of the show, or recounting its long jou...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Judy” & “Motherless Brooklyn”

  JUDY (Roadside – September 27):  Oscar bait in its fullest form, a showbiz celebrity biography built around the work of a performer making a comeback, requiring said performer to alter appearance and render servic...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Reviews: “22 July” & “American Woman”

  22 JULY (Netflix – October 10):  So many terrible things have happened in the world since July 22, 2011 that at least in the US, few even remember the horrific events that occurred in Oslo, Norway that day, when a...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “If Beale Street Could Talk” & “Ben Is Back”

  IF BEALE STREET COULD TALK (Annapurna – November 30):  Barry Jenkins’ follow-up to Moonlight received a rapturous standing ovation at its Toronto premiere, and it’s unquestionably a beautiful piece of ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Waves” & “Uncut Gems”

  WAVES (A24 – November 1):  Trey Edward Shults’ third film (after the micro-budgeted indie Krisha and the horror movie They Come By Night) manages the remarkable feat of feeling both experimental and grounded...
by Mitch Salem