Posts Tagged ‘showbuzzdaily Toronto reviews’
 

 

Toronto Film Festival 2024 Reviews: “Megalopolis” & “Millers In Marriage”

  MEGALOPOLIS (American Zoetrope/Lionsgate – Sept. 27):  Francis Ford Coppola’s long-awaited, much-discussed return to epic filmmaking, self-financed to the tune of $125M+ (he’s paying for the marketing...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Knives Out” & “A Beautiful Day In The Neighborhood”

  KNIVES OUT (Lionsgate – November 27):  Rian Johnson’s delectable reinvention of the old-fashioned puzzle whodunnit wears its convoluted plotting on its sleeve, weaving and circling about so that when you thi...
by Mitch Salem
 

 

 

Toronto Film Festival 2024 Reviews: “William Tell” & “The Cut”

  WILLIAM TELL (Goldwyn – 2025):  If it requires a certain amount of audacity to take a short children’s story and expand it into a violent adult action epic, that gall has to rise by several orders of magnit...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Beautiful Boy,” “Homecoming” & “Vox Lux”

  BEAUTIFUL BOY (Amazon/October 12):  A true-life story of drug addiction told with sincerity and superb acting, but which can’t shake the feel of generic problem drama.  Felix Van Groeningen’s film (co-writt...
by Mitch Salem
 

 

 

Toronto Film Festival 2024 Reviews: “Saturday Night” & “Conclave”

  SATURDAY NIGHT (Columbia/Sony – Sept 27):  It’s easy to imagine a film about Saturday Night Live making a statement about the cultural, political and financial impact of the show, or recounting its long jou...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Hustlers” & “Endings, Beginnings”

  HUSTLERS (STX – September 13):  Lorena Scafaria becomes the latest filmmaker failing to ascend Martin Scorsese Mountain.  Her Hustlers wants to be Goodfellas in its marrow, not only in its based-on-a-true-story t...
by Mitch Salem
 

 

 

Toronto Film Festival 2024 Reviews: “The Life of Chuck” & “We Live In Time”

  THE LIFE OF CHUCK (no distrib):  Although Mike Flanagan first gained attention as a director of low-budget feature films, he may be the first horror filmmaker to become an acknowledged master of the genre largely throu...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Hate U Give” & “The Hummingbird Project”

  THE HATE U GIVE (20th – October 19):  YA radicalization.  George Tillman Jr’s film, from a sprawling script by Audrey Wells (based on the novel by Angie Thomas) centers on Starr (Amandla Stenberg), an Afric...
by Mitch Salem
 

 

 

Toronto Film Festival 2024 Review: “Babygirl”

  BABYGIRL (A24 – Dec. 25):  We’ve reached the point where Nicole Kidman’s work ethic has become something of a running gag.  In the past 5 years alone, she’s appeared in an incredible eight feat...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Marriage Story” & “Bad Education”

  MARRIAGE STORY (Netflix – November 6 in theatres/December 6 streaming):  A film doesn’t have to be revolutionary to be great.  There may be no subjects more intensively depicted in movies and on television ...
by Mitch Salem
 

 

 

Toronto Film Festival 2024 Reviews: “Anora” & “All Of You”

ANORA (Neon – Oct. 17):  Sean Baker has been making quirky, captivating character studies for some time now, starting with Starlet in 2012 and following it with Tangerine, The Florida Project and Red Rocket.  The ro...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “If Beale Street Could Talk” & “Ben Is Back”

  IF BEALE STREET COULD TALK (Annapurna – November 30):  Barry Jenkins’ follow-up to Moonlight received a rapturous standing ovation at its Toronto premiere, and it’s unquestionably a beautiful piece of ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Ford vs. Ferrari” & “The Laundromat”

  FORD VS. FERRARI (20th Century Fox/Disney – November 15):  If the Academy decides to award James Mangold’s Ford vs. Ferrari, which is certainly a possibility, it will be able to have some metaphorical cake a...
by Mitch Salem
 

 
 

Toronto Film Festival 2024 Reviews: “On Swift Horses” & “Hard Truths”

  ON SWIFT HORSES (no distrib):  In the years after World War II, Muriel (Daisy Edgar-Jones) marries Lee (Will Poulter), who’s hardworking and in love with her but not exciting, and they move into the Kansas house ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Reviews: “A Star Is Born” & “Can You Ever Forgive Me?”

  A STAR IS BORN (Warners – October 5):  Bradley Cooper, making his directing debut, decided to do the equivalent of a first-time weightlifter starting out with a 400-pound barbell.  It isn’t just that A Star...
by Mitch Salem