Posts Tagged ‘showbuzzdaily Toronto reviews’
 

 

Toronto Film Festival 2024 Reviews: “Heretic” & “Emilia Perez”

  HERETIC (A24 – Nov. 15):  A nifty piece of philosophical horror from Scott Beck and Bryan Woods, the writers of the original A Quiet Place.  The set-up is almost fairy tale in its simplicity.  A pair of young wo...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Boy Erased” & “Vita & Virginia”

  BOY ERASED (Focus/Universal – November 2):  Joel Edgerton’s film is the second of the year concerning gay conversion therapy, and its tone is far more conventional than The Miseducation of Cameron Post.  Lu...
by Mitch Salem
 

 

 

Toronto Film Festival 2024 Reviews: “The Substance” & “Nutcrackers”

THE SUBSTANCE (MUBI – Sept. 20):  It’s quite a feat to take the body horror crown at a film festival that also features a contribution from David Cronenberg, but Coralie Fargeat’s The Substance uses its revo...
by Mitch Salem
 

 
 

Toronto Film Festival 2024 Reviews: “Queer” & “Jane Austen Wrecked My Life”

  QUEER (A24 – TBD):  Luca Guadagnino has unearthed glamour in the blood-soaked dance troupe/witches’ coven of Suspiria and the cannibal romance of Bones and All, so it shouldn’t be a surprise that his s...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Dolemite Is My Name,” “My Zoe” & “Briarpatch”

  DOLEMITE IS MY NAME (Netflix – October 4 in theatres/October 25 streaming): Putting aside his strong dramatic turn in Dreamgirls, it’s been an incredible 20 years, dating back to 1999’s Bowfinger, since...
by Mitch Salem
 

 
 

Toronto Film Festival 2024 Reviews: “The Brutalist” & “The Last Showgirl”

  THE BRUTALIST (A24 – TBD):  The most remarkable thing about Brady Corbet’s epic may be that it’s so enjoyable to watch.  The notion of a 197-minute saga (not including intermission) about Holocaust s...
by Mitch Salem
 

 

 

Toronto Film Festival 2024 Reviews: “Megalopolis” & “Millers In Marriage”

  MEGALOPOLIS (American Zoetrope/Lionsgate – Sept. 27):  Francis Ford Coppola’s long-awaited, much-discussed return to epic filmmaking, self-financed to the tune of $125M+ (he’s paying for the marketing...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Knives Out” & “A Beautiful Day In The Neighborhood”

  KNIVES OUT (Lionsgate – November 27):  Rian Johnson’s delectable reinvention of the old-fashioned puzzle whodunnit wears its convoluted plotting on its sleeve, weaving and circling about so that when you thi...
by Mitch Salem
 

 

 

Toronto Film Festival 2024 Reviews: “William Tell” & “The Cut”

  WILLIAM TELL (Goldwyn – 2025):  If it requires a certain amount of audacity to take a short children’s story and expand it into a violent adult action epic, that gall has to rise by several orders of magnit...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Beautiful Boy,” “Homecoming” & “Vox Lux”

  BEAUTIFUL BOY (Amazon/October 12):  A true-life story of drug addiction told with sincerity and superb acting, but which can’t shake the feel of generic problem drama.  Felix Van Groeningen’s film (co-writt...
by Mitch Salem
 

 

 

Toronto Film Festival 2024 Reviews: “Saturday Night” & “Conclave”

  SATURDAY NIGHT (Columbia/Sony – Sept 27):  It’s easy to imagine a film about Saturday Night Live making a statement about the cultural, political and financial impact of the show, or recounting its long jou...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Hustlers” & “Endings, Beginnings”

  HUSTLERS (STX – September 13):  Lorena Scafaria becomes the latest filmmaker failing to ascend Martin Scorsese Mountain.  Her Hustlers wants to be Goodfellas in its marrow, not only in its based-on-a-true-story t...
by Mitch Salem
 

 

 

Toronto Film Festival 2024 Reviews: “The Life of Chuck” & “We Live In Time”

  THE LIFE OF CHUCK (no distrib):  Although Mike Flanagan first gained attention as a director of low-budget feature films, he may be the first horror filmmaker to become an acknowledged master of the genre largely throu...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Hate U Give” & “The Hummingbird Project”

  THE HATE U GIVE (20th – October 19):  YA radicalization.  George Tillman Jr’s film, from a sprawling script by Audrey Wells (based on the novel by Angie Thomas) centers on Starr (Amandla Stenberg), an Afric...
by Mitch Salem
 

 

 

Toronto Film Festival 2024 Review: “Babygirl”

  BABYGIRL (A24 – Dec. 25):  We’ve reached the point where Nicole Kidman’s work ethic has become something of a running gag.  In the past 5 years alone, she’s appeared in an incredible eight feat...
by Mitch Salem