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Behind the US/Worldwide Weekend Box Office – 8.20.2023

  OPENINGS:  Although BLUE BEETLE (DC/Warners) won the weekend over a tiring Barbie, it landed at the low end of expectations with $25.4M–and given the heavy 15% Friday-to-Saturday drop (much steeper than the 4%/6% ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 8.13.2023

  OPENINGS:  THE LAST VOYAGE OF THE DEMETER (Universal) stirred little interest from critics or audiences, and set sail with a flat $6.5M.  It hasn’t yet opened overseas, but will have a difficult time trying to re...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 8.6.2023

  OPENINGS:  The 3-day weekend in the US went narrowly to MEG 2: THE TRENCH (CMC/Warners) with $30M.  That was down more than 1/3 from the $45.4M start for The Meg in 2018, which would ordinarily be concerning for a film...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7.30.2023

  OPENINGS:  After last week’s Barbenheimer fireworks, the box office for new movies returned to earth–with a thud in the case of HAUNTED MANSION (Disney), which was at the bottom of projections at $24.2M.  W...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7.23.2023

  OPENINGS:  The most hyped box office weekend of the year delivered and then some.  BARBIE (Mattel/Warners) burst into theaters with $155M, technically the best of the year (although the $146.4M for Super Mario Bros cam...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7.16.2023

  OPENINGS:  There had been an expectation, or at least a hope, that MISSION: IMPOSSIBLE – DEAD RECKONING PART I (Skydance/Paramount) would get a boost from the spectacular performance of Top Gun: Maverick, but that...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7.9.2023

  OPENINGS:  INSIDIOUS: THE RED DOOR (Screen Gems/Sony) reaffirmed the strength of the low-budget horror genre with a $32.7M start, better than the $29.6M launch of 2018’s The Last Key (which didn’t feature th...
by Mitch Salem
 
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