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THE SKED SEASON FINALE REVIEW: “Rookie Blue”

  ROOKIE BLUE did a solid job of wrapping up its fourth season and setting up cliffhangers for Season 5 (already ordered) with last night’s episode.  Although the Grey’s Anatomy-with-guns police soap has nev...
by Mitch Salem
 
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Articles

The Sked: THURSDAY Ratings Charts

Thursday ratings last night, last year and last week.  CBS and ABC ratings subject to significant change (up to 0.4 rating point) due to pre-emptions in New York (WCBS) and Boston (WCVB ABC) for the Jets-Patriots game aired na...
by Mitch Metcalf
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “The Last of Robin Hood”

  THE LAST OF ROBIN HOOD is an odd miss, a sliver of movie history that seems to have all the right elements but never quite jells.  The title refers to Errol Flynn, legendary swashbuckling star of The Adventures of Rob...
by Mitch Salem
 
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Articles

The Sked: WEDNESDAY Ratings Chart

Wednesday ratings for last night, last year and last week.  Night 3 of Million Second Quiz slumped to a 1.2 adult 18-49 rating (three night track: 1.7…1.5…1.2), as its competition got significantly stiffer (the ear...
by Mitch Metcalf
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “Under the Skin”

  A film festival is certainly the place for a feature-length semi-linear flow of unscripted dialogue and bizarre imagery if anywhere is, so welcome to UNDER THE SKIN.  The writer/director Jonathan Glazer has gradually b...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “August: Osage County”

  The writer/producer/director John Wells made his reputation as the showrunner of ER, and he’s known as one of the most consistent, professional producers in the network business, with impeccable shows like The Wes...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “Tracks”

  There’s no cutesiness to be found in John Curran’s film TRACKS, a bracingly non-Disneyfied true-life nature tale.  In the mid-1970s, a young Australian woman named Robyn Davidson decided to walk across almo...
by Mitch Salem
 
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Articles

Weekend Box Office Predictions SEPTEMBER 13-15

The 37th weekend of the year is looking like $81 million for the top 12 films, very close to the multi-year average for this weekend. Opening at around 2,900 theaters Friday (just above the 2,886 average theater count for open...
by Mitch Metcalf
 
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Articles

The Sked: TUESDAY Ratings

Tuesday ratings last night, last year and last week.  President Obama’s address on Syria interrupted network schedules to varying degrees at 9 pm ET last night, with NBC sliding America’s Got Talent a little over 1...
by Mitch Metcalf
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “Third Person”

  There is a reason, or at least an argument, for why almost everything in Paul Haggis’s THIRD PERSON feels synthetic and contrived–but I can’t make it here, because doing so would expose the film’...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “You Are Here”

  If there were no credits on the new comedy-drama YOU ARE HERE, it would almost be inconceivable that an audience member would imagine it coming from the typewriter of Matthew Weiner, the creator of Mad Men.  It’...
by Mitch Salem
 
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Articles

Tope Cable and Broadcast Shows of the Week

Top broadcast and cable programs of the week:
by Mitch Metcalf
 
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Articles

The Sked: MONDAY Ratings Chart

Monday ratings last night, last year and last week: NBC debuted Million Second Quiz to a 1.7 adult 18-49 rating last night, close to what American Ninja Warrior had been doing in the hour the past few weeks.  The show declined...
by Mitch Metcalf
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “The Disappearance of Eleanor Rigby: Him and Her”

  THE DISAPPEARANCE OF ELEANOR RIGBY: HIM & HER is an extraordinary feature debut for its writer/director Ned Benson.  Indeed, it’s so remarkable that it comes close to not needing the modifier “debutR...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “Dallas Buyers Club”

  DALLAS BUYERS CLUB is more Erin Brockovich than Brian’s Song, and that’s why it works so well.  Jean-Marc Vallee’s film, written by Craig Borten and Melisa Walack, is too angry to be sentimental. �...
by Mitch Salem
 
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