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Film Festival

SHOWBUZZDAILY Sundance Film Reviews: “Promising Young Woman,” “Four Good Days” & “Zola”

  PROMISING YOUNG WOMAN (Focus/Universal – April 17):  Emerald Fennell’s feature-film writing/directing debut has antecedents as old as the 1973 TV-movie The Girl Most Likely To… (co-written by Joan Rive...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “The Sunlit Night” & “Wounds”

  THE SUNLIT NIGHT (no distrib):  The last thing one would have expected from the director of the genuinely scabrous Wetlands was a follow-up that seems to trying to meld NY Jewish comedy with the kind of enchanted romcom...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Low Down”

  No one can accuse LOW DOWN of attempting to glamorize the true story it tells.  Jeff Preiss’s first film as a director is a slow, grim dirge set in an underbelly of the jazz world in 1970s Los Angeles, and it...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Sergio” & “Lost Girls”

  SERGIO (Netflix – April 17):  Greg Barker’s film has an unusual pedigree.  Barker, up to this point a documentarian, directed a nonfiction version of the same story (and with the same title) in 2009, but de...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance 2022 Reviews: “God’s Country” & “Phoenix Rising”

  GOD’S COUNTRY (no distrib):  A deliberative character study that’s also a thriller of sorts, anchored by one of the best performances of Thandiwe Newton’s career.  When two hunters (Joris Jarsky and Y...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance 2022 Reviews: “Palm Trees and Power Lines,” “Am I OK?” and “Lucy and Desi”

  PALM TREES AND POWER LINES (no distrib):  Jamie Dack’s first feature film (from a script written with Audrey Findlay) means to unsettle, and it does.  17-year old Lea (Lily McInerny) is stuck in a dead-end Southe...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “After the Wedding” & “Adam”

  AFTER THE WEDDING (no distrib):  The Danish 2006 After the Wedding, which won that year’s Best Foreign Film Oscar, was shot by director Suzanne Biers in the then-trendy Dogma style, heavy on pseudo-verite camerawo...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “A Kid Like Jake” & “You Were Never Really Here”

  A KID LIKE JAKE (no distrib):  Silas Howard’s dramedy is a small-scale triumph, successfully navigating its way from a wry account of upper-middle-class Brooklynites Alex and Greg (Claire Danes and Jim Parsons) tr...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Blinded By The Light” & “Judy and Punch”

  BLINDED BY THE LIGHT (New Line/Warners):  Sundance was somewhat awash in feel-good movies this year, which is unusual but not unprecedented.  One of the most successful in previous years was 2002’s Bend It Like B...
by Mitch Salem
 
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Articles

ShowbuzzDaily Sundance 2022 Reviews: “Sharp Stick” & “Babysitter”

  SHARP STICK (no distrib):  Lena Dunham is certainly no stranger to the concept of art as provocation, but it’s difficult to understand what Sharp Stick, her first feature film in a dozen years, and her first solo ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Horse Girl,” “Happy Happy Joy Joy” & “Kajillionaire”

  HORSE GIRL (Netflix – February 7):  Every one of the four films Jeff Baena has directed had its premiere at Sundance, with Horse Girl following Life After Beth, Joshy and The Little Hours.  It’s an impressi...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Virtual Sundance Reviews: “Human Factors,” “Cryptozoo” & “How It Ends”

  HUMAN FACTORS:  Is Ronny Trocker’s Human Factors intended as a political allegory?  The married couple at its center are the German Jan (Mark Waschke) and the French Nina (Sabine Timoteo), and there’s a plo...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Reviews: “Save Yourselves!” & “The Fight”

  SAVE YOURSELVES! (no distrib):  A moderately amusing sketch that doesn’t quite have the heft for feature length.  Writer/directors Alex Huston Fischer and Eleanor Wilson satirize Brooklyn hipsters and sci-fi in t...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance 2022 Reviews: “Emily the Criminal” & “blood”

  EMILY THE CRIMINAL (no distrib):  John Patton Ford’s feature debut is a lean, gritty, accomplished thriller with a smashing star performance from Aubrey Plaza.  Plaza (who also produced) plays the titular Emily, ...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily’s Sundance Film Festival Reviews: “Ophelia” & “Burden”

  OPHELIA (no distrib):  Claire McCarthy’s film, written by Semi Chellas from Lisa Klein’s novel, dampens the fun of its own concept.  The idea is to re-tell Hamlet through the eyes of Shakespeare’s ill...
by Mitch Salem
 
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