Posts Tagged ‘Sundance Film Festival’
 

 

SHOWBUZZDAILY Virtual Sundance Reviews: “Eight For Silver” & “The Sparks Brothers”

  EIGHT FOR SILVER:  Sean Ellis’s 19th century werewolf movie takes itself very seriously.  Ellis has extensively revised the usual mythology of the genre:  the full moon doesn’t figure into things, the were...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Call Me By Your Name,” “Fun Mom Dinner,” “Before I Fall” & “Wind River”

  CALL ME BY YOUR NAME (Sony Classics):  Luca Guadagnino’s sumptuous gay romance has been anointed as the Sundance entry most likely to figure into next year’s Oscar race, and it’s easy to see why.  It ...
by Mitch Salem
 

 

 

ShowbuzzDaily Sundance 2022 Reviews: “God’s Country” & “Phoenix Rising”

  GOD’S COUNTRY (no distrib):  A deliberative character study that’s also a thriller of sorts, anchored by one of the best performances of Thandiwe Newton’s career.  When two hunters (Joris Jarsky and Y...
by Mitch Salem
 

 
 

ShowbuzzDaily Sundance 2022 Reviews: “Sharp Stick” & “Babysitter”

  SHARP STICK (no distrib):  Lena Dunham is certainly no stranger to the concept of art as provocation, but it’s difficult to understand what Sharp Stick, her first feature film in a dozen years, and her first solo ...
by Mitch Salem
 

 

 

ShowbuzzDaily’s Complete 2018 Sundance Film Festival Reviews

There are certain inevitabilities at Sundance, apart from snow:  something will go wrong (after I waited on line for 2 hours on opening day, the box office discovered that it had lost one of my passes), and no matter how caref...
by Mitch Salem
 

 
 

Full SHOWBUZZDAILY Virtual Sundance Reviews

This may be heresy, but the virtual Sundance Film Festival went so smoothly that if they offered it as an option in a hopefully pandemic-free 2022, I’d seriously consider passing up the freezing weather and the waits for ...
by Mitch Salem
 

 

 

NOTE TO READERS

  Due to our upcoming Sundance Film Festival coverage, ratings posts for the remainder of the week are likely to consist largely of charts without text.  In addition, we may not be able to respond promptly to reader Comme...
by Mitch Salem
 

 
 

ShowbuzzDaily Sundance Film Festival Reviews: “Studio 54″” & “What They Had”

  STUDIO 54 (no distrib):  Matt Tynauer’s documentary covers all the bases of the disco that defined nightlife for a surprisingly brief time in the late 1970s, from the club’s construction on the site of an ol...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Virtual Sundance Reviews: “Mayday” and “Prisoners Of the Ghostland”

  MAYDAY:  The fantasy whatzit is a Sundance staple, and Mayday fits into that category.  (Paradise Hills was a recent example from a past festival.)  Ana (Grace Van Patten), short for Anastasia, is an ignored and abuse...
by Mitch Salem
 

 
 

ShowbuzzDaily Sundance Film Festival Reviews: “Monster” & “Beirut”

  MONSTER (no distrib):  There’s less than meets the eye in Anthony Mandler’s Monster.  Based by Colen C. Wiley, Radha Black and Janece Shaffer on Walter Dean Myers’ novel, it seems like it’s goin...
by Mitch Salem
 

 

 

Sundance Film Festival Reviews 2025: “Kiss of the Spider Woman” & “Two Women”

    KISS OF THE SPIDER WOMAN (no distrib):  The exercise in narrative that began with Manuel Puig’s 1976 Argentinian novel has found an enduring place in popular culture, first through a 1983 theatrical version...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Brittany Runs A Marathon” & “Big Time Adolescence”

  BRITTANY RUNS A MARATHON (Amazon):  Paul Downs Colaizzo, previously a playwright, makes a remarkably assured film writing/directing debut with Brittany Runs a Marathon, which features a breakout star performance by Jill...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Blinded By The Light” & “Judy and Punch”

  BLINDED BY THE LIGHT (New Line/Warners):  Sundance was somewhat awash in feel-good movies this year, which is unusual but not unprecedented.  One of the most successful in previous years was 2002’s Bend It Like B...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Virtual Sundance Reviews: “The World To Come” & “Jockey”

  THE WORLD TO COME (Bleecker Street – March 2):  Although the story is set in 1856, this is 2021, so it’s not hard to see where Mona Fastvold’s The World To Come is heading.  Ron Hansen and Jim Shepard...
by Mitch Salem
 

 

 

ShowbuzzDaily Sundance Film Festival Reviews: “Blindspotting” & “Monsters and Men”

  BLINDSPOTTING (no distrib):  At Sundance, often one doesn’t seek perfection so much as promise, and there’s plenty of the latter in Blindspotting, written by its stars Daveed Diggs and Rafael Casal.  They h...
by Mitch Salem