Posts Tagged ‘Sundance review’
 

 

ShowbuzzDaily Sundance Review: “Juliet, Naked”

  JULIET, NAKED (no distrib):  Every Sundance has a title or two that isn’t particularly “indie,” other than by the fact that its stars aren’t hugely bankable.  These aren’t the films that s...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Big Sur”

  Maybe it’s time for a filmmaker who doesn’t give a damn about the Beat Generation to make the next movie about them.  Michael Polish’s BIG SUR joins last year’s On the Road as a Jack Kerouac adap...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “I Origins”

  The writer-director Mike Cahill has staked out a unique piece of narrative territory for himself.  In both Another Earth and his new I ORIGINS, which debuted at Sundance last week (and won the festival prize for best...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Toy’s House”

  TOY’S HOUSE is a delightful Sundance surprise, a fresh take on adolescent boys coming of age.  The conceit of Jordan Vogt-Roberts’ film, written by Chris Galletta, is that Joe Toy (Nick Robinson), his best ...
by Mitch Salem
 

 

 

ShowbuzzDaily Sundance Film Festival Review: “Don’t Worry, He Won’t Get Far On Foot”

  DON’T WORRY, HE WON’T GET FAR ON FOOT (Amazon):  Despite some Christopher Nolan-esque splintering of time, Gus Van Sant’s Don’t Worry, He Won’t Get Far On Foot is one of his more convention...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Touchy Feely”

  TOUCHY FEELY offers the gifted writer/director Lynn Shelton taking herself very, very seriously for the most part.  It turns out to be a less effective mode for her than those of her recent small-scale comedies Humpday ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “Boyhood”

  Back when Stanley Kubrick still planned to direct the film that became AI: Artificial Intelligence, he famously toyed with the idea of shooting it bit by bit over a period of years, so that the young protagonist would l...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Fruitvale”

  There can’t be very much quibbling about the selection of Ryan Coogler’s very impressive debut film FRUITVALE as tonight’s winner of both the Sundance Dramatic Competition Jury Prize and the Audience ...
by Mitch Salem
 

 

 

ShowbuzzDaily Sundance Film Festival Review: “Colette”

  COLETTE (no distrib):  These days, the early 20th Century French writer known as Colette is remembered mostly if at all for having written the story that became the musical Gigi, but her own life proves to be remarkably...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “The Look of Love”

  It just wouldn’t be a film festival without something from Michael Winterbottom.  Winterbottom isn’t at the very top of the film director pantheon, but he’s respected enough that his projects have been...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “Whiplash”

  Damien Chazelle’s powerhouse WHIPLASH is about the pursuit of not just excellence, but perfection, and on its own deliberately limited terms it doesn’t land far from that mark.  Whiplash won both the Grand J...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Before Midnight”

  The “spoiler” situation with respect to Richard Linklater’s BEFORE MIDNIGHT is a particularly tricky one, because for those passionately invested in the saga that began with 1995’s Before Sunr...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “The Inevitable Defeat of Mister and Pete”

  Toy’s House wasn’t the only movie at this year’s Sundance about boys fending for themselves.  THE INEVITABLE DEFEAT OF MISTER AND PETE depicts a less voluntary version of the effort to keep going witho...
by Mitch Salem
 

 
 

SHOWBUZZDAILY SUNDANCE REVIEW: “Wish I Was Here”

  Zach Braff’s WISH I WAS HERE, his first film as a writer-director since Garden State 10 years ago, mixes genuine, deeply-felt emotion with the kind of contrivances that would grate even on a second-rate sitcom.  (...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Don Jon’s Addiction”

  When Joseph Gordon-Levitt decided to make his feature writing and directing debut with DON JON’S ADDICTION (starring in it as well), his attitude was clearly Go Big Or Go Home.  To a large extent, he’s pulle...
by Mitch Salem