Posts Tagged ‘Sundance review’
 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Emanuel & The Truth About Fishes”

  EMANUEL AND THE TRUTH ABOUT FISHES is deeply, satisfyingly strange.  In a way, it’s a validation not just of Sundance, but the whole film festival system that is now our main way of finding out about distinctive ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY SUNDANCE REVIEW: “Song One”

  Kate Barker-Froyland’s directing debut SONG ONE is so wispy and insubstantial that the bytes making up its digital images seem barely capable of adhering to a screen.  Clearly influenced by John Carney’s m...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Ain’t Them Bodies Saints”

  There’s a tendency to compare any slow-moving, beautifully-photographed drama with an abundance of natural imagery to the films of Terence Malick, but that’s unfair to the very particular surreal spirituality...
by Mitch Salem
 

 
 

ShowbuzzDaily Sundance Film Festival Review: “Don’t Worry, He Won’t Get Far On Foot”

  DON’T WORRY, HE WON’T GET FAR ON FOOT (Amazon):  Despite some Christopher Nolan-esque splintering of time, Gus Van Sant’s Don’t Worry, He Won’t Get Far On Foot is one of his more convention...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Fruitvale”

  There can’t be very much quibbling about the selection of Ryan Coogler’s very impressive debut film FRUITVALE as tonight’s winner of both the Sundance Dramatic Competition Jury Prize and the Audience ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “In A World…”

  The actress Lake Bell’s feature-film writing/directing debut IN A WORLD… has a fresh slant on showbiz comedy, and it’s both consistently likable and sometimes very funny.  It’s also sloppy, ove...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “Boyhood”

  Back when Stanley Kubrick still planned to direct the film that became AI: Artificial Intelligence, he famously toyed with the idea of shooting it bit by bit over a period of years, so that the young protagonist would l...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Magic Magic”

  MAGIC MAGIC never really makes clear what it intends to be, but it’s awfully fascinating to watch. Written and directed by the prolific Sebastian Silva, who had two films at Sundance this year (the other was the we...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Ass Backwards”

  The Sundance programmers, one has to assume, are big fans of TV’s Happy Endings.  Casey Wilson is part of that show’s wonderful ensemble, and one of its most reliably hilarious members.  The news that she w...
by Mitch Salem
 

 
 

SHOWBUZZDAILY SUNDANCE REVIEW: “Happy Christmas”

  Joe Swanberg, the director, writer and co-star of HAPPY CHRISTMAS, which premiered at Sundance earlier this week, makes Woody Allen look lazy.  He’s had something like a dozen features to his credit since the sta...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Sweetwater”

  But for one unfortunately critical element, Logan and Noah Miller’s SWEETWATER (the brothers rewrote a script originally by Andrew McKenzie) is a highly enjoyable darkly comic western, as subsumed in stylized mov...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Before Midnight”

  The “spoiler” situation with respect to Richard Linklater’s BEFORE MIDNIGHT is a particularly tricky one, because for those passionately invested in the saga that began with 1995’s Before Sunr...
by Mitch Salem
 

 

 

ShowbuzzDaily Sundance Film Festival Review: “Colette”

  COLETTE (no distrib):  These days, the early 20th Century French writer known as Colette is remembered mostly if at all for having written the story that became the musical Gigi, but her own life proves to be remarkably...
by Mitch Salem
 

 
 

SHOWBUZZDAILY SUNDANCE REVIEW: “Whiplash”

  Damien Chazelle’s powerhouse WHIPLASH is about the pursuit of not just excellence, but perfection, and on its own deliberately limited terms it doesn’t land far from that mark.  Whiplash won both the Grand J...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “The One I Love”

  The trouble with trying to recommend THE ONE I LOVE , written by Justin Lader and directed by Charlie McDowell, is that it’s impossible to describe how clever, surprising and intriguing it turns out to be without...
by Mitch Salem