Posts Tagged ‘Sundance review’
 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “A.C.O.D.”

  Stu Zicherman’s A.C.O.D. (written by Zicherman and Ben Karlin) suffers a bit from a familiar indie comedy malady:  the conflicting desires to tell meaningful and even dark stories, while at the same time getting ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Big Sur”

  Maybe it’s time for a filmmaker who doesn’t give a damn about the Beat Generation to make the next movie about them.  Michael Polish’s BIG SUR joins last year’s On the Road as a Jack Kerouac adap...
by Mitch Salem
 

 

 

ShowbuzzDaily Sundance Film Festival Review: “Don’t Worry, He Won’t Get Far On Foot”

  DON’T WORRY, HE WON’T GET FAR ON FOOT (Amazon):  Despite some Christopher Nolan-esque splintering of time, Gus Van Sant’s Don’t Worry, He Won’t Get Far On Foot is one of his more convention...
by Mitch Salem
 

 
 

SHOWBUZZDAILY SUNDANCE REVIEW: “I Origins”

  The writer-director Mike Cahill has staked out a unique piece of narrative territory for himself.  In both Another Earth and his new I ORIGINS, which debuted at Sundance last week (and won the festival prize for best...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “Happy Christmas”

  Joe Swanberg, the director, writer and co-star of HAPPY CHRISTMAS, which premiered at Sundance earlier this week, makes Woody Allen look lazy.  He’s had something like a dozen features to his credit since the sta...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Afternoon Delight”

  It takes quite a while–almost its entire length, in fact–for the utter conventionality of AFTERNOON DELIGHT to become clear.  Jill Soloway’s feature directing debut, for which she unaccountably won a S...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Ain’t Them Bodies Saints”

  There’s a tendency to compare any slow-moving, beautifully-photographed drama with an abundance of natural imagery to the films of Terence Malick, but that’s unfair to the very particular surreal spirituality...
by Mitch Salem
 

 
 

SHOWBUZZDAILY SUNDANCE FILM REVIEW: “Hellion”

  Of all the films in this year’s US Dramatic Competition at Sundance, Kat Candler’s HELLION was the one that most closely matched what’s become a festival template: Aggressively shaky handheld camerawork...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Toy’s House”

  TOY’S HOUSE is a delightful Sundance surprise, a fresh take on adolescent boys coming of age.  The conceit of Jordan Vogt-Roberts’ film, written by Chris Galletta, is that Joe Toy (Nick Robinson), his best ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY SUNDANCE REVIEW: “Song One”

  Kate Barker-Froyland’s directing debut SONG ONE is so wispy and insubstantial that the bytes making up its digital images seem barely capable of adhering to a screen.  Clearly influenced by John Carney’s m...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Ass Backwards”

  The Sundance programmers, one has to assume, are big fans of TV’s Happy Endings.  Casey Wilson is part of that show’s wonderful ensemble, and one of its most reliably hilarious members.  The news that she w...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Before Midnight”

  The “spoiler” situation with respect to Richard Linklater’s BEFORE MIDNIGHT is a particularly tricky one, because for those passionately invested in the saga that began with 1995’s Before Sunr...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “The Inevitable Defeat of Mister and Pete”

  Toy’s House wasn’t the only movie at this year’s Sundance about boys fending for themselves.  THE INEVITABLE DEFEAT OF MISTER AND PETE depicts a less voluntary version of the effort to keep going witho...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “The Lifeguard”

  If you go to too many Sundances, or see too many indie films, there are certain templates you come to recognize all too quickly.  THE LIFEGUARD, written and directed by Liz W. Garcia, a TV writer (Memphis Beat, Cold Cas...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Computer Chess”

  Andrew Bujalski’s COMPUTER CHESS has a great setting for a comedy.  The time is circa 1980, and the place is an anonymous hotel where a group of nerds–back before nerds were cool–have gathered for thei...
by Mitch Salem