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SHOWBUZZDAILY @ SUNDANCE REVIEW: “The Pact”

  It takes about an hour, but Nicholas McCarthy’s THE PACT, which premiered in the Park City At Midnight section at Sundance, eventually turns out to have a neat twist up its sleeve, one that switches the movie from ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Stoker”

  STOKER is the kind of swank, elegant horror movie we don’t see very often in these days of unkillable chainsaw-wielding serial killers who make awful use of human remains.  It’s chilling, more than a little...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Filly Brown”

    FILLY BROWN, directed by Youssef Delara (who also wrote the script) and Michael D. Olmos, falls into a recognizable Sundance genre:  sagas of poor young women (usually ethnic) struggling to escape their poverty a...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Celeste & Jesse Forever”

> The festival has its first crowd-pleaser in CELESTE AND JESSE FOREVER, a light but heartfelt romantic comedy-drama in the Woody Allen vein. Written by Rashida Jones (who also stars as Celeste) and Will Mc McCormack (on hand a...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Goats”

  Virtually every screening at Sundance is followed by a Q&A with the filmmaker, and while these sessions can be informative and charming (although 3 questions that need never be asked again are How long did you shoot?...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Horse Girl,” “Happy Happy Joy Joy” & “Kajillionaire”

  HORSE GIRL (Netflix – February 7):  Every one of the four films Jeff Baena has directed had its premiere at Sundance, with Horse Girl following Life After Beth, Joshy and The Little Hours.  It’s an impressi...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “The Way, Way Back”

  THE WAY, WAY BACK:  Watch It At Home – Modestly Engaging Coming-Of-Age Tale THE WAY, WAY BACK is one of the last real indie hopes for a original breakout hit this summer (it was a big buy out of Sundance, a $10M p...
by Mitch Salem
 
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Misc

SHOWBUZZDAILY @ SUNDANCE REVIEW: “V/H/S”



Genre:

Our Review / 5 - Terrible
by Mitch Salem
0
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Misc

SHOWBUZZDAILY @ SUNDANCE: COLLECTED REVIEWS



Genre:

Our Review / 5 - Terrible
by Mitch Salem
0
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Articles

THE BIJOU @ SUNDANCE: Big-Time

> Like any showbiz stripper, the Sundance Film Festival has left its most notable revelations for last:  after releasing its Competition Entries and its Midnight and Other Fringe Titles, today the Festival announced its hi...
by Mitch Salem
 
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Misc

SHOWBUZZDAILY AT SUNDANCE REVIEW Smashed



Genre:

Our Review 3 / 5 - Above Average
by Mitch Salem
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Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Compliance”

> Sundance has a thriving Park City At Midnight program that features plenty of high-octane horror movies, but the most unnerving and disturbing film of this year’s festival may have been Craig Zobel’s COMPLIANCE, a...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “2 Days In New York”

  In 2007, Julie Delpy wrote, directed and co-starred in 2 Days In Paris, a romantic comedy-drama featuring Adam Goldberg and herself as a couple who lived in NY and visited the title city for a tumultuous visit with her c...
by Mitch Salem
 
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Misc

SHOWBUZZDAILY @ SUNDANCE REVIEW: “The Pact”



Genre:

Our Review / 5 - Terrible
by Mitch Salem
0
Full Review »

 

 
Articles

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Bachelorette”

> Although Sundance still has several days to go, and surprises could spring up at any time (yesterday The Surrogate, a drama with John Hawkes as a man in an iron lung who decides to lose his virginity to a sex therapist played...
by Mitch Salem
 
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