Posts Tagged ‘Sundance’
 

 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “For a Good Time, Call…”

> There’s a principled discussion to be had about whether the Sundance Film Festival should be featuring movies that are essentially low-budget Hollywood entertainments made outside the studio system. But that discussion ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “2 Days In New York”

  In 2007, Julie Delpy wrote, directed and co-starred in 2 Days In Paris, a romantic comedy-drama featuring Adam Goldberg and herself as a couple who lived in NY and visited the title city for a tumultuous visit with her c...
by Mitch Salem
 

 

 
 
 
 
 
 
by Mitch Salem
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SHOWBUZZDAILY FILM REVIEW: “The Way, Way Back”

  THE WAY, WAY BACK:  Watch It At Home – Modestly Engaging Coming-Of-Age Tale THE WAY, WAY BACK is one of the last real indie hopes for a original breakout hit this summer (it was a big buy out of Sundance, a $10M p...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Filly Brown”

    FILLY BROWN, directed by Youssef Delara (who also wrote the script) and Michael D. Olmos, falls into a recognizable Sundance genre:  sagas of poor young women (usually ethnic) struggling to escape their poverty a...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Bachelorette”

> Although Sundance still has several days to go, and surprises could spring up at any time (yesterday The Surrogate, a drama with John Hawkes as a man in an iron lung who decides to lose his virginity to a sex therapist played...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Middle of Nowhere”

  MIDDLE OF NOWHERE, which won the Sundance US Dramatic Directing award for Ava DuVernay last night, is in no rush.  The films moves with deliberation as it establishes its leading character and her difficult situation: ...
by Mitch Salem
 

 
 
 
 
 
 
 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Goats”



Genre:

Our Review / 5 - Terrible
by Mitch Salem
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SHOWBUZZDAILY Virtual Sundance Reviews: “Eight For Silver” & “The Sparks Brothers”

  EIGHT FOR SILVER:  Sean Ellis’s 19th century werewolf movie takes itself very seriously.  Ellis has extensively revised the usual mythology of the genre:  the full moon doesn’t figure into things, the were...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Save the Date”

> Michael Mohan’s SAVE THE DATE, which premiered this afternoon at Sundance, doesn’t earn its points from an original premise. It concerns 2 divergent sisters, Sarah (Lizzy Caplan) and Beth (Alison Brie), but mostly...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Lovelace”

  There are any number of ways the story of Linda Lovelace and Deep Throat could be told to make a potentially fascinating movie, from the sociological to the political, the personal to the satiric.  The laziest–o...
by Mitch Salem
 

 
 

THE BIJOU @ SUNDANCE: Let The (Show)Buzz Commence

> The Sundance Film Festival, like Toronto, issues its announcements about the films that will be screening in several stages.  (Sundance’s sadism about actually obtaining tickets, however, is all its own.)  Tod...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Upstream Color”

  UPSTREAM COLOR:  Worth A Ticket – But Not If You Require Coherent Plotting I’d be lying if I said I really knew what the hell was going on in UPSTREAM COLOR, and yet the experience of watching it was surpris...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “Red Lights”

> Or if the title were a Jeopardy answer, the question would be: what should writer/director Rodrigo Cortes have paid attention to, before he typed “The End” on his script Red Lights wouldn’t have been a festi...
by Mitch Salem
 

 

 

THE BIJOU @ SUNDANCE: Behold the Edgy

> Sundance announced the second group of its 2012 titles today (Competition entries were announced yesterday; Premieres will be unveiled on Monday), mostly in what are traditionally the most untraditional categories of the Fest...
by Mitch Salem