There are any number of ways the story of Linda Lovelace and Deep Throat could be told to make a potentially fascinating movie, from the sociological to the political, the personal to the satiric. The laziest–o...
The borders between “movies” and “television” were already beginning to buckle pre-pandemic, thanks to Netflix and the desire of studios to release their product on as many simultaneous platforms ...
Plot and character revelations are a critical part of James Marsh’s subtle, complex spy drama SHADOW DANCER, adapted by Tom Bradby from his own novel, so I’ll be circumspect in describing its plot beyond the ...
>Two Australian couples vacation together on the beaches of Cambodia, but only 3 people return. That’s the set-up for Kieran Darcy-Smith’s skilled debut WISH YOU WERE HERE, which premiered as part of Sundance’...
MIDDLE OF NOWHERE, which won the Sundance US Dramatic Directing award for Ava DuVernay last night, is in no rush. The films moves with deliberation as it establishes its leading character and her difficult situation: ...
> Sundance announced the second group of its 2012 titles today (Competition entries were announced yesterday; Premieres will be unveiled on Monday), mostly in what are traditionally the most untraditional categories of the Fest...
Sundance is sometimes thrilling, but it can also be an ordeal. Especially when the films are good, but not great. And even more so if you arrive with limited tickets, and are left to the tender mercies of the Wait Li...
> Although Sundance still has several days to go, and surprises could spring up at any time (yesterday The Surrogate, a drama with John Hawkes as a man in an iron lung who decides to lose his virginity to a sex therapist played...
> There’s a principled discussion to be had about whether the Sundance Film Festival should be featuring movies that are essentially low-budget Hollywood entertainments made outside the studio system. But that discussion ...
HORSE GIRL (Netflix – February 7): Every one of the four films Jeff Baena has directed had its premiere at Sundance, with Horse Girl following Life After Beth, Joshy and The Little Hours. It’s an impressi...
EIGHT FOR SILVER: Sean Ellis’s 19th century werewolf movie takes itself very seriously. Ellis has extensively revised the usual mythology of the genre: the full moon doesn’t figure into things, the were...
> The fundamental problem with LAY THE FAVORITE, Stephen Frears’ new film that premiered last night at Sundance, is that it’s made by people who seem to have little if any interest in gambling. And since this is a m...