Posts Tagged ‘supernatural’
 

 

THE SKED: WEDNESDAY NETWORK SCORECARD – 10/10/12

  A superhero comes to the rescue. CW:  ARROW gave the beleagurered little network the best news it’s had literally in years, with a colossal (for CW) 1.3 rating that beat NBC in its first half-hour and was only na...
by Mitch Salem
 

 
 

THE SKED’S BUSTED PILOT THEATRE: “Poe”

> See A Word About Busted Pilots We round out our survey of some of the more notable busted pilots of the season with the distinctive POE, produced by Warner Bros Television for ABC and written by Chris Hollier (a former writer...
by Mitch Salem
 

 

 

THE SKED’S FRIDAY NETWORK SCORECARD – 5/4/12

Apparently ABC viewers are unimpressed by superheroes. ABC:  On a night when the other networks were mostly down (were viewers at the multiplex to see the near-record Avengers opening?), all of ABC’s shows were up, and t...
by Mitch Salem
 

 
 

THE SKED FRIDAY NETWORK SCORECARD – 5/25/12

Hey, what’s on the DVR? ABC:  On a night of across-the-board repeats, ABC was the only network to top a 1.0 rating, with 20/20 (1.4) and PRIMETIME (1.2).  SHARK TANK did around a 1.0. CBS:  UNDERCOVER BOSS, CSI NY and ...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “True Blood”

  “Are you kidding me?  It’s always the weird stuff that’s the best,” Lafayette (Nelsan Ellis) said at one point during tonight’s season finale of TRUE BLOOD–he was watching the birth o...
by Mitch Salem
 

 
 

THE SKED: Some Pre-Upfront Thoughts About CW’s Fall Schedule

  See Also:  THE SKED’s Pre-Upfront Projected NBC Fall 2013 Schedule                  THE SKED’s Pre-Upfront Projected FOX Fall 2013 Schedule                  THE SKED’s Pr...
by Mitch Salem
 

 

 

THE SKED PILOT REPORT: NBC’s “Grimm”

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques sh...
by Mitch Salem
 

 
 

THE SKED: CW Kicks Off Renewal Season

  It’s always an advantage for shows to know they’re being renewed as quickly as possible.  With that security in hand, they can shore up their writing staffs before newly-ordered series begin making their pic...
by Mitch Salem
 

 

 

THE SKED: SHOWBUZZDAILY’S FALL 2011/12 FRIDAY TV SCHEDULE

> Welcome to ShowbuzzDaily’s coverage of the upcoming TV schedules for the 2011/12 TV season!  Above you see our guide to what to expect on Friday nights this Fall:  the numbers are our projected Adults 18-49 ra...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Touch”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 

 

THE SKED’S FRIDAY NETWORK SCORECARD – 11/11/11

> The small fluttering bit of NBC’s fall that was still breathing may have started to die last night. NBC:  GRIMM didn’t win its timeslot last night, after another 15% drop.  On Friday night, a 1.5 is stil...
by Mitch Salem
 

 
 

THE SKED: CW Takes Care Of the Easy Part

> CW today renewed the 3 shows on its air that were destined for renewal:  THE VAMPIRE DIARIES, the network’s closest thing to a hit; SUPERNATURAL, which has been doing very well on low-rated Fridays; and 90210, with...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Finale Review: “Under the Dome”

  UNDER THE DOME went rather bonkers in its second season, apparently flummoxed by the fact that it existed at all.  Dome had originally been conceived as a limited summer series that, like the Stephen King novel which in...
by Mitch Salem
 

 
 

ShowbuzzDaily Series Premiere Review: “American Gods”

  AMERICAN GODS:  Sunday 9PM on Starz – Potential DVR Alert It seems only fair to note upfront, upon the arrival of Bryan Fuller’s new Starz series AMERICAN GODS (created with Michael Green, and based on the n...
by Mitch Salem
 

 

 

THE SKED NETFLIX REVIEW: “Hemlock Grove” (Episodes 1-3)

  If Netflix is going to be the 21st-century version of a “network,” its content will eventually have to include all sorts of genres–and the quality, inevitably, will vary as well.  There may be high-cla...
by Mitch Salem