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HOLIDAY BOXOFFICE: Friday Studio Scorecard – 12/23/11

> Anyone who thinks the boxoffice isn’t in a slump needs a new prescription for bifocals. Note:  since December 24 is a traditionally deadly day at the boxoffice (closed theatres, family plans)  that would make ...
by Mitch Salem
 
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THE BIJOU @ TIFF: Francis Ford Coppola’s “Twixt”

> It’s anyone’s guess why Francis Ford Coppola, at the age of 72, with some enduring cinema classics to his name, would decide to make a movie that’s a cross between a David Lynch retread, an old horror cheapi...
by Mitch Salem
 
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THE BIJOU BIZ: Comedies Under Budget Pressure But Digital Distribution May Help

> An interesting story in today’s Los Angeles Times online looks at the business of making comedies these days.  The article points out that while DVD revenue has collapsed for the comedy genre (all genres are down b...
by Mitch Salem
 
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THE BIJOU: Captain America: The First Boxoffice

> The Hollywood Reporter has some rough early numbers for Friday’s boxoffice, and the news looks good for CAPTAIN AMERICA:  THE FIRST AVENGER.  Including Thursday midnight grosses of $4M, it seems to be around $...
by Mitch Salem
 
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THE BIJOU BOX OFFICE: Footnotes – 8/13/11

> Let’s take a look at just how remarkably THE HELP is performing so far.   The most obvious points of comparison are the literary-sourced, female-skewing hits of the last 2 Augusts:  Julie & Julia in 2...
by Mitch Salem
 
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THE BIJOU BULLETIN: “Spy Kids 4” Stinks (Intentionally)

> Get all the stench jokes out of your system:  come August 19, the new SPY KIDS:  ALL THE TIME IN THE WORLD won’t just be in tired old 3D, but in what they’re calling the 4D of Aromascope.  In other ...
by Mitch Salem
 
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THE BIJOU @ TIFF: Sarah Polley’s “Take This Waltz”

> In just her second feature film as a director (her first was 2006’s Oscar-nominated Away From Her), Sarah Polley demonstrates that she’s already a filmmaker with rare grace and sensuality in TAKE THIS WALTZ, which...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: WEEKEND STUDIO SCORECARD – 1/1/12

> With one startling exception and a couple of smaller ones, the holiday crop of movies declined on Saturday and are expected to recover on New Year’s Day. PARAMOUNT:  MISSION: IMPOSSIBLE – GHOST PROTOCOL went ...
by Mitch Salem
 
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THE BIJOU: “The Dark Knight Rises” (Briefly)

> Tonight at 43 real Imax theatres (the ones with the huge squarish screens), Warner Bros debuted an extended trailer for next summer’s THE DARK KNIGHT RISES shot in the full Imax format, consisting of the opening sequenc...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “Puncture”

  PUNCTURE:  Worth A Ticket – A Bracingly Dark Ride   No one is going to see PUNCTURE in theaters, and that’s a shame, because unaccountably, it’s one of the best pictures around.  “Unaccount...
by Mitch Salem
 
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THE BIJOU’S FRIDAY STUDIO SCORECARD – 12/9/11

> NEW YEAR’S EVE (Warner Bros):  So much for that franchise.  New Year’s was expected to have a softer start than Valentine’s Day, which opened on a holiday weekend that included the titular day itse...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “Carnage”

  CARNAGE:  Watch It At Home – Polanski and All-Star Cast Miss the Bullseye   The trick about CARNAGE, which is based on the Tony Award-winning play God of Carnage by Yasmina Reza, is that despite its pedigree,...
by Mitch Salem
 
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THE BIJOU BOX OFFICE: Mid-Week Update

> With Monday and Tuesday numbers in, here are some notes about how the new arrivals are holding up: THE HELP continues its impressive run:  its $8.3M on Monday-Tuesday represents a very robust 32% of its weekend total.&nb...
by Mitch Salem
 
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THE BIJOU @ TIFF: Gus Van Sant’s “Restless”

> Gus Van Sant has been making movies for 25 years, but Restless–apart from its technical polish–feels like the work of a Sundance newcomer. And one who’s been reading too much Salinger, while meanwhile wearin...
by Mitch Salem
 
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THE BIJOU REVIEW: “Harry Potter and the Deathly Hallows (Part 2)”





Our Review / 5 - Terrible
by Mitch Salem
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