Posts Tagged ‘The Master boxoffice’
 

 

BEHIND THE WEEKEND BOXOFFICE – 10/28/12

  The biggest boxoffice story of the weekend happened overseas:  in only 25 international markets, SKYFALL (Sony) the new James Bond, has opened at a scorching, record-setting pace, with a reported $77.7M in 3 days (inclu...
by Mitch Salem
 

 
 

SHOWBUZZDAILY’S BEHIND THE WEEKEND BOXOFFICE – 9/23/12

  This weekend’s boxoffice wasn’t so much a case of multiple winners as none at all. OPENINGS:  The closest thing to a victor was END OF WATCH (Open Road), which did about what one might have expected with a p...
by Mitch Salem
 

 

 

SHOWBUZZDAILY EARLY FRIDAY BOXOFFICE REPORT – 9/28/12

  It appears as though Hollywood is going to have some good news at the boxoffice this weekend, for the first time since mid-summer.  According to preliminary numbers at Deadline, the surprisingly sprightly HOTEL TRANSYLV...
by Mitch Salem
 

 
 

SHOWBUZZDAILY’S BEHIND THE FRIDAY BOXOFFICE – 9/21/12

  Nearly identical opening numbers for 3 new movies mean different things. OPENINGS:  Thanks to its older audience, TROUBLE WITH THE CURVE (Warners) may end up winning the weekend, and certainly having the highest overall...
by Mitch Salem
 

 

 

SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 9/16/12

  Paul W.S. Anderson and Paul Thomas Anderson share the glory. OPENINGS:  W.S. Anderson’s RESIDENT EVIL:  RETRIBUTION (Screen Gems/Sony) took the weekend, but its $21.1M haul is the lowest the series has seen in a ...
by Mitch Salem
 

 
 

BEHIND THE FRIDAY BOXOFFICE: 10/5/12

  Liam Neeson, superstar. OPENINGS:  TAKEN 2 (20th) is on track for an opening in the high-$40Ms, which would make it the biggest weekend #1 since late July’s 2nd weekend of The Dark Knight Rises.  Since the movie ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY EARLY WEEKEND BOXOFFICE REPORT – 9/22/12

  This weekend’s boxoffice is something like a dead heat in a $5000 claiming race at a second-rate track.  According to preliminary numbers at Deadline, TROUBLE WITH THE CURVE (Warners), END OF WATCH (Open Road) and...
by Mitch Salem