Posts Tagged ‘thriller’
 

 

SHOWBUZZDAILY FILM REVIEW: “The Conjuring”

  THE CONJURING:  Worth A Ticket – Retro Horror, In A Good Way Watching The Exorcist recently, for the first time in probably a decade, the most striking thing about it was its insistence on a palpable, sometimes do...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Paranormal Activity 3”

  PARANORMAL ACTIVITY 3:  Worth A Ticket – More Minimalist Bumps In the Dark   The PARANORMAL ACTIVITY franchise is a movie studio’s dream come true.  The concept itself demands a no-star cast, a very li...
by Mitch Salem
 

 

 

THE SKED Fall Finale Review: “The Blacklist”

  We’ll find out in just a few weeks exactly how big a hit NBC’s THE BLACKLIST really is, thanks to the network’s announcement that the show will air in January for the first time outside the protective s...
by Mitch Salem
 

 
 
 
 
 
 
 

THE SHOWBUZZDAILY REVIEW: “Gone”



Genre:

Our Review / 5 - Terrible
by Mitch Salem
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THE SKED’S PILOT + 1 REVIEW: “The Following”

  THE FOLLOWING:  Monday 9PM on FOX A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh i...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Season Finale Review: “American Horror Story: Freak Show”

  The braintrust behind AMERICAN HORROR STORY, headed by series creators Ryan Murphy and Brad Falchuk, seemed to think their work was done when they came up with the FREAK SHOW subtitle for this season.  Despite the limit...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “The Bourne Legacy”

  THE BOURNE LEGACY:  Watch It At Home – Not Up To the Real Bournes THE BOURNE LEGACY has been concocted with a combination of ingenuity and desperation.  It exists because Universal–a studio dangerously ligh...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Prometheus”

  PROMETHEUS:  Worth A Ticket – For the Visual Splendor, Not the Plot   Expectations were undoubtedly too high for PROMETHEUS.  The Alien franchise (and notwithstanding Ridley Scott and co-writer Damon Lindelo...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: Midnight Madness – “Sleepless Night”

> When the inevitable US remake of the French thriller SLEEPLESS NIGHT arrives, it’ll benefit from some sharper dialogue (assuming the subtitles in Toronto were fully translating the original), a bit more characterization...
by Mitch Salem
 

 
 

THE SKED SERIES FINALE REVIEW: “The Secret Circle”

    On paper, THE SECRET CIRCLE seemed to have everything going for it.  It was a ready-made companion piece to CW’s one big hit The Vampire Diaries–produced by Vampire‘s Kevin Williamson, based on ...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “The Walking Dead”

  THE WALKING DEAD:  Sunday 9PM on AMC WHERE WE WERE:  Finally leaving the farm owned by Herschel (Scott Wilson), where for most of a becalmed season, there had been at least as much soul-searching as zombie killing, muc...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Zero Dark Thirty”

  ZERO DARK THIRTY:  Worth A Ticket – The Year’s Most Gripping Thriller Is True You already know how ZERO DARK THIRTY ends.  You knew how All the President’s Men ended, too, and Apollo 13 and Titanic. ...
by Mitch Salem
 

 

 
 
 
 
 
 
by Mitch Salem
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ShowbuzzDaily Sundance 2022 Reviews: “Nanny,” “Good Luck To You, Leo Grande” & “Resurrection”

  NANNY (no distrib):  Think Netflix’s Maid, but as a (sort of) horror movie.  Aisha (Anna Diop) is an undocumented Senegalese immigrant in New York who works as a nanny for the daughter of a well-off couple, Amy (...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “The Walking Dead”

> But first–a nod to the sly marketing department at AMC, which cleverly lampooned its own predicament of trying to persuade at least some of the hordes of WALKING DEAD fans to stay tuned to the network next week for a ve...
by Mitch Salem