Posts Tagged ‘thriller’
 

 

THE SHOWBUZZDAILY REVIEW: “Puncture”

  PUNCTURE:  Worth A Ticket – A Bracingly Dark Ride   No one is going to see PUNCTURE in theaters, and that’s a shame, because unaccountably, it’s one of the best pictures around.  “Unaccount...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Season Premiere Review: “The Blacklist”

  THE BLACKLIST:  Monday 10PM on NBC THE BLACKLIST was a game-changing smash for NBC last season, in combination with The Voice solidifying the network’s hold on Mondays to such an extent that the night, along with ...
by Mitch Salem
 

 

 

THE SKED SERIES PREMIERE REVIEW: “The Americans”

  THE AMERICANS:  Wednesday 10PM on FX – DVR Alert The renaissance of pop culture spies–good and bad, ours and theirs, real-life and fictional–continues with FX’s new series THE AMERICANS.  Joe We...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “Passion”

It’s unfortunately not saying very much to note that PASSION is the best eeffort Brian DePalma has managed to turn in lately.  DePalma’s Redacted was one of the worst films by a major American director in recent...
by Mitch Salem
 

 

 

THE SKED MIDSEASON FINALE REVIEW: “Beauty & the Beast”

  The midseason finale of the purported romantic thriller BEAUTY & THE BEAST delivered almost all romance, no thrills, as it continues to have only a glancing relationship with its title. Plotting has been this show...
by Mitch Salem
 

 
 

THE SKED Season Finale Review: “Low Winter Sun”

  LOW WINTER SUN just kept going around in circles.  The most characteristic hour of its season may have been its penultimate one, which aired as the first half of a 2-hour season (very possibly series) finale.  (Hour 1 ...
by Mitch Salem
 

 

 

PREMIERING TONIGHT – THE SKED’S PILOT REPORT: CW’s “Cult”

  CULT:  Tuesday 9PM on CW – Change the Channel CW has had little good news this season apart from the arrival of Arrow, and it’s not helping itself by deciding to launch the new thriller CULT just as FOX has ...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “American Horror Story”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Grimm”

  GRIMM:  Monday 9PM thru Sept 10; Friday 9PM starting Sept 14 on NBC – Worth A Look   WHERE WE WERE:  Meeting Mom.  Nick Burkhardt (David Giuntoli) is a Portland homicide detective who’s also a “...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “The Following”

  THE FOLLOWING:  Monday 9PM on FOX A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh i...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Justified”

  JUSTIFIED has the luxury of time.  The series typically tells one or two extended stories through the course of its season, so tonight’s Season 4 premiere, written by series creator Graham Yost and directed by Mic...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Broken City”

  BROKEN CITY:  Watch It At Home – Wahlberg and Crowe In An Intriguing But Too Simplistic Thriller Studios love nothing better than predictability, so since Mark Wahlberg had a tidy January hit last year with Contra...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: “The Woman In the Fifth”

> Pawel Pawlikowski is a filmmaker whose name deserves to be better known: his films Last Resort and My Summer of Love are small but beautifully realized stories of intricate human emotion. His new picture The Woman In the Fift...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “The Bourne Legacy”

  THE BOURNE LEGACY:  Watch It At Home – Not Up To the Real Bournes THE BOURNE LEGACY has been concocted with a combination of ingenuity and desperation.  It exists because Universal–a studio dangerously ligh...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: Midnight Madness – “Sleepless Night”

> When the inevitable US remake of the French thriller SLEEPLESS NIGHT arrives, it’ll benefit from some sharper dialogue (assuming the subtitles in Toronto were fully translating the original), a bit more characterization...
by Mitch Salem