TIFF | Showbuzz Daily

SHOWBUZZDAILY @ TORONTO: “Dredd”

DREDD, which kicked off the merrily disreputable Midnight Madness program at the Toronto Film Festival last night, isn’t much, but no one can say the director Pete Travis wasted his 3D budget. Things are constantly hoveri...

by Mitch Salem

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THE BIJOU @ TIFF: First Titles Announced

>SHOWBUZZDAILY will be at the Toronto International Film Festival in September, and today TIFF announced the first group of movies being screened (there are plenty more to come over the next few weeks). Here’s the f...

by Mitch Salem

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THE BIJOU @ TIFF: “Your Sister’s Sister”

> Lynn Shelton’s Humpday in 2009 was one of the most engaging pictures to come out of the mumblecore movement (“mumblecore,” for the uninitiated = ultra-low-budget, small scale film with dialogue mostly improv...

by Mitch Salem

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SHOWBUZZDAILY @ TORONTO: “Great Expectations”

At this point in movie history, it’s beside the point to ask why we even need a new film version of GREAT EXPECTATIONS when David Lean’s 1946 masterpiece still exists. (And for those who want a different slant on ...

by Mitch Salem

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THE BIJOU REVIEW “The Descendants”

> THE DESCENDANTS: Worth A Ticket – Flawed But Heartfelt It’s taken an unaccountable 7 years for Alexander Payne to follow up Sideways, the biggest hit of his career, with THE DESCENDANTS, which w...

by Mitch Salem

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Toronto Film Festival Reviews: “The Holdovers,” “Pain Hustlers” & “Woman Of the Hour”

These haven’t been glory days for the Toronto Film Festival. The WGA/SAG strikes dampened the vibe, of course–of the 27 films I saw at TIFF, only 4 screenings featured appearances from the cast. Beyond th...

by Mitch Salem

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THE BIJOU @ TIFF: Midnight Madness – “The Raid”

> TIFF’s Midnight Madness program is exactly what you think it is: 10 flat-out, unapologetic genre movies that premiere each night at midnight in front of a raucous crowd at the 1200-seat Ryerson Theatre. In a...

by Mitch Salem

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SHOWBUZZDAILY @ TORONTO: “Thanks For Sharing”

Stuart Blumberg’s first film as a director (his screenwriting credits include The Kids Are All Right), THANKS FOR SHARING, never quite manages to solve its own central problem: how to make a sensitive and funny (and not...

by Mitch Salem

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THE BIJOU @ TIFF: Madonna’s “W.E.”

> One of the enduring questions of Madonna’s illustrious quarter-century career is how someone so brilliant in managing every other facet of her persona has consistently made such terrible decisions when it comes to movie...

by Mitch Salem

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THE SHOWBUZZDAILY REVIEW: “The Master”

THE MASTER: Worth A Ticket – The Title Describes the Filmmaker Our shorthand for describing movie directors, even great ones, is to compare them to other filmmakers. So Quentin Tarantino is Sergio Leone plus ha...

by Mitch Salem

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SHOWBUZZDAILY @ TORONTO: Festival Preview

The Toronto International Film Festival is, of the major North American festivals, by far the most pleasant to attend. Its line-up of films and clout are matched only by Sundance’s, and it substitutes balmy 70 de...

by Mitch Salem

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THE BIJOU @ TIFF: Michel Hazanavicius’ “The Artist”

> The Artist is a beautiful film hot-house flower, designed to flourish in the rarefied atmosphere of festivals and gatherings of cineastes. It’s a curio that will be cherished by some, and probably ignored by most of the...

by Mitch Salem

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SHOWBUZZDAILY @ TORONTO: “At Any Price”

With the notable exception of Friday Night Lights, Hollywood has rarely even attempted a serious depiction of life in the American heartland in recent years. More often, the center of the country is a setting for stories of ...

by Mitch Salem

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THE BIJOU @ TIFF: “The Woman In the Fifth”

> Pawel Pawlikowski is a filmmaker whose name deserves to be better known: his films Last Resort and My Summer of Love are small but beautifully realized stories of intricate human emotion. His new picture The Woman In the Fift...

by Mitch Salem

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SHOWBUZZDAILY @ TORONTO: “Seven Psychopaths”

Few movies are as wholeheartedly dedicated to meta-ness as Martin McDonagh’s SEVEN PSYCHOPATHS. The title of the movie is also the title of the script its main character Marty (Colin Farrell)–which, I belie...

by Mitch Salem

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SHOWBUZZDAILY @ TORONTO: “Dredd”

THE BIJOU @ TIFF: First Titles Announced

THE BIJOU @ TIFF: “Your Sister’s Sister”

SHOWBUZZDAILY @ TORONTO: “Great Expectations”

THE BIJOU REVIEW “The Descendants”

Toronto Film Festival Reviews: “The Holdovers,” “Pain Hustlers” & “Woman Of the Hour”

THE BIJOU @ TIFF: Midnight Madness – “The Raid”

SHOWBUZZDAILY @ TORONTO: “Thanks For Sharing”

THE BIJOU @ TIFF: Madonna’s “W.E.”

THE SHOWBUZZDAILY REVIEW: “The Master”

SHOWBUZZDAILY @ TORONTO: Festival Preview

THE BIJOU @ TIFF: Michel Hazanavicius’ “The Artist”

SHOWBUZZDAILY @ TORONTO: “At Any Price”

THE BIJOU @ TIFF: “The Woman In the Fifth”

SHOWBUZZDAILY @ TORONTO: “Seven Psychopaths”

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