Posts Tagged ‘TIFF’
 

 

THE BIJOU @ TIFF; Collected Reviews

>Click below for all SHOWBUZZDAILY‘s collected Toronto Film Festival reviews, in alphabetical order: 360 50/50 ALBERT NOBBS THE ARTIST BUTTER DAMSELS IN DISTRESS THE DEEP BLUE SEA THE DESCENDANTS DRIVE HICK THE IDES OF MA...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Silver Linings Playbook”

  SILVER LININGS PLAYBOOK:  Don’t Get Sold Out – A Rom-Com With Dance Moves All Its Own Anyone who doubts that Jennifer Lawrence is a real-thing, big-time movie star should get thee hence to a theater showing ...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: “The Deep Blue Sea”

> If you were going to describe the films of Terence Davies (Distant Voices, Still Lives, The Long Day Closes, The House of Mirth) in one word, that word would not be “dynamic.”  Or “kinetic.” ...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: Fernando Meirelles’ “360”

> If Arthur Schnitzler had only been a member of the WGA in 1900, when he wrote the play La Ronde, and he’d had the benefit of the format rights guild members receive today, he and his descendants would be very rich indee...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: Schedule Day

> For anyone attending the Toronto International Film Festival that begins in just over 2 weeks, today was a crucial day:  the release of the Festival schedule.  (TIFF also announced some not-shabby final additions to...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: “Ten Year”

> TEN YEAR, which premiered tonight at the Toronto Film Festival, is one of the few festival movies that has the feel of a potential hit.  This is because, apart from its hugely engaging cast and, to be sure, some effectiv...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “Something In the Air” and “Ginger and Rosa”

Toronto this year provided two notable portraits of teenagers growing up in a time of political turmoil, Olivier Assayas’s SOMETHING IN THE AIR and Sally Potter’s GINGER AND ROSA. Assayas’s film is about th...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “In the House”

Francois Ozon’s IN THE HOUSE is a delicious examination of the pleasures and dangers of addictive narrative.  Storytelling (and corresponding tricks of cinematic structure) has been an interest of Ozon’s throughout...
by Mitch Salem
 

 

 

UPDATED: SHOWBUZZDAILY @ TORONTO: “Silver Linings Playbook” & “Seven Psychopaths” Take the Prizes

  It’s a very good weekend to be a Weinstein.  First Weinstein Company’s The Master set new per-theatre records for a live-action movie release without a stage show, and now the tidings from Toronto are lined ...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: “Drive”

> DRIVE is a self-conscious genre movie, and those are tricky propositions.  On the one hand, you need to make your existential or other textual statement with all the artistry at your command; on the other, you still have...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “Passion”

It’s unfortunately not saying very much to note that PASSION is the best eeffort Brian DePalma has managed to turn in lately.  DePalma’s Redacted was one of the worst films by a major American director in recent...
by Mitch Salem
 

 
 

Toronto Film Festival Reviews: “The Holdovers,” “Pain Hustlers” & “Woman Of the Hour”

  These haven’t been glory days for the Toronto Film Festival.  The WGA/SAG strikes dampened the vibe, of course–of the 27 films I saw at TIFF, only 4 screenings featured appearances from the cast.  Beyond th...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: Judgment Day

> At 7AM today (East Coast time), the Toronto International Film Festival opened its boxoffice for single ticket sales, package orders having been filled a couple of days ago.  As usual, the result was chaos:  if you ...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “On the Road”

  ON THE ROAD – Worth A Ticket – Kerouac’s Classic Is Beautiful and Atmospheric But Lacks Urgency ON THE ROAD, as a novel and now as a film adaptation, is so enmeshed with the mythology of the real-life p...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: Francis Ford Coppola’s “Twixt”

> It’s anyone’s guess why Francis Ford Coppola, at the age of 72, with some enduring cinema classics to his name, would decide to make a movie that’s a cross between a David Lynch retread, an old horror cheapi...
by Mitch Salem