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Behind the US/Worldwide Weekend Box Office – 1/24/16

  OPENINGS:  The east coast blizzard seems to have had less effect on the weekend box office than one might have assumed, considering that all the newcomers went up from Friday to Saturday, even though they were in typica...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 1/10/16

  OPENINGS:  THE REVENANT (Regency/20th) had an impressive $38M start, the #5 January wide opening ever (although tomorrow’s final numbers could send it below Lone Survivor‘s $37.8M, the comp it wanted to beat...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 1/3/16

  STAR WARS:  Whether one considers Avatar‘s proper US all-time box office record to be $749.8M (initial release) or $760.5M (includes “director’s cut” re-release), the crown will be changing hands...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12/27/15

Not a lot of changes from last night’s early numbers. STAR WARS: THE FORCE AWAKENS (Lucasfilm/Disney):  The all-time biggest 2d US weekend:  $153.5M (down 38% from opening weekend, far better than the 49%/50% for Jurass...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12/20/15

  OPENINGS:  Here’s the crazy thing about the official record-busting $238M weekend estimate for STAR WARS: THE FORCE AWAKENS (Lucasfilm/Disney), which smashed the previous weekend record by more than 12%, and nearl...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12/13/15

  OPENINGS:  Let’s be clear:  the decision to greenlight a $100M production budget for IN THE HEART OF THE SEA (Village Roadshow/Warners)–a period whaling adventure that features about 10 minutes of a CG whal...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12/6/15

  OPENINGS:  Little was expected from KRAMPUS (Legendary/Universal), and looked at in that light, it modestly overdelivered with a $16M opening weekend.  That’s virtually identical with the $15.8M opening for Unfri...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office: 11/27/15

There was enough product at the multiplexes to make for a solid Thanksgiving weekend total, but holiday fireworks were absent. OPENINGS:  THE GOOD DINOSAUR (Pixar/Disney) had a $39.2M weekend ($55.6M since its Wednesday openin...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 11/22/15

  OPENINGS:  The stated $101M weekend start for THE HUNGER GAMES: MOCKINGJAY PART 2 (Lionsgate) means that we won’t really know whether it went over $100M until final numbers are released tomorrow.  But even if tha...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 11/15/15

  OPENINGS:  LOVE THE COOPERS (CBS/Lionsgate) was the best of a bad bunch, launching with $8.4M.  That’s 30% less than the $12.5M start of 2005’s The Family Stone, but the studio can take some solace from the...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 11/8/15

  OPENINGS:  SPECTRE (MGM/Columbia/Sony) had the #7 opening of the year at $73M… yet there are signs of trouble.  While Skyfall rose 11% on its 2d day of wide release, and Casino Royale gained 5%, Spectre fell by 5...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 10/25/15

  OPENINGS:  Nothing improved for the weekend’s newcomers after Friday’s dim numbers.  THE LAST WITCH HUNTER (QED/Summit/Lionsgate) led with a soft $10.8M, and whether or not Lionsgate is being entirely frank...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 10/11/15

  OPENINGS:  PAN (RatPac-Dune/Warners) now owns a dubious place in box office history, as one of Hollywood’s biggest flops ever.  On a production/worldwide marketing cost that will exceed $300M, its $15.5M US openi...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 10/4/15

  OPENINGS:  THE MARTIAN (20th) barely missed setting a new October opening record at $55M, just $800K behind Gravity (which had a much shorter running time and the advantage of IMAX ticket prices).  Gravity made it all ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 8/30/15

  OPENINGS:  Every time a Christian movie sells some tickets, the pundits treat it as though they’ve seen… well, a miracle.  But at this point there have been plenty of these “miracles,” and peopl...
by Mitch Salem
 
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