The odds-on favorite for this year’s Best Director Oscar can’t win. There’s little doubt at this point that if Ben Affleck had only been nominated for Best Director this year, he would have run away with the award.  That’s probably true even if the dynamics of the Best Picture race had been changed by […]

  The Broadcast Film Critics Association is one of those organizations that wants everyone to be happy, including the television network (CW) that carries its yearly telecast, so it gives out a number of MTV-like silly awards, like Best Actor/Actress In an Action Movie (a chance to award Robert Downey, Jr for The Avengers!) and […]

  Say what you will about the Golden Globes, on the TV side they’re often more open to acknowledging new talent and shows than the Emmys (let alone this week’s stodgy SAG Award nominations) tend to be.  That’s the case again with today’s nominees, particularly in the acting categories. BEST DRAMA SERIES BREAKING BAD (AMC) […]

  The Screen Actors Guild Awards are important, because the Actors branch is the largest single constituency of Oscar voters, but they’re also very different from the Oscars.  Their major award isn’t a “Best Picture” prize, per se, but one for Best Cast–this hurts intimate dramas like Gravity and All is Lost, while helping starry […]

  Here’s a factoid:  during the 1970s, that halcyon decade when the rebel filmmaker inmates finally, if briefly. took over the Hollywood studio asylum, viewed by movie history ever since with wistful nostalgia, every single winner of the Best Picture Oscar was one of the Top 10 box-office grossers of its year.  This includes big-budget productions like […]

  Year-end awards from critics groups have two purposes in the big-picture (which is to say the Oscar) context.  In the aggregate, if enough of the groups are in agreement to form a consensus, they can make an accolade seem like an established fact–sort of a “how could you dare to ignore this?” message.  (Although […]

  The big prizes this weekend were the Los Angeles Film Critics Association awards, LAFCA has a habit of showcasing its iconoclasm (the organization has only given its Best Picture prize to the eventual Oscar winner once in the past 18 years, for The Hurt Locker), and this year was no exception. Best Picture went […]

  Today’s shipment of critical praise comes courtesy of the National Society of Film Critics, a small (60-member) but prestigious group, which today gave Michael Haneke’s AMOUR one of its biggest boosts of the season, with awards for Picture, Director and Actress (Emmanuelle Riva).  Oscar nomination voting is now closed, so these prizes will only […]