> Our thoughts on the movie Golden Globe nominations are here.  Meanwhile, in television: BREAKING BAD:  LOSER – Really, one should say Golden Globes Credibility:  Loser, because when you fail to even nominate the best season of one of the best shows of the decade, that’s what you lose.  And if not nominating the series […]

  We’ll never know if this year’s Best Picture race is as close as we think it is, since the Academy has no intention of ever releasing its vote totals (something it did back at the very beginning of Oscar history).  Nevertheless, all signs are that this is the hardest race in years to call, […]

  Tonight the Writers Guild of America followed the lead of the Golden Globes and gave its award for Best Original Screenplay to Spike Jonze for HER rather than to AMERICAN HUSTLE.  The WGA awards were seen as Hustle‘s chance to recapture some of the momentum it had lost after 12 YEARS A SLAVE and […]

  As the last notes of the not-remotely-accidentally-chosen “Fight the Power” fade from the closing credits of the 88th ACADEMY AWARDS telecast, 10 quick thoughts on the show and awards. 1.  Sometimes smart is all but indistinguishable from lucky, and that was the case for the Academy this year, which had chosen Chris Rock to […]

> Today, we return to SHOWBUZZDAILY‘s coverage of the Oscar race (see Part 1 here, with an introduction to those contenders best called the Field–these may not be the favorites, but even as longer shots they’re still in the race. FIELD YOUNG ADULT (Paramount – Dec. 9) SHOWBUZZDAILY odds to be nominated:  3/1 Bookie odds […]

  The Writers Guild is unusual among awards-giving groups in that it strictly enforces the rule that only screenplays written for films produced under Guild agreements are eligible.  That tends to exclude some of the major indie movies of the year and many foreign imports, which are produced non-Guild for budgetary and other reasons.  The […]

> The New York Film Critics Circle famously (notoriously?), having decided that they simply couldn’t wait to announce their 2011 awards until, y’know, they had actually seen all the movies (when Warners couldn’t rush them a copy of Extremely Loud and Incredibly Close–which doesn’t open until December 25–the Circle simply ignored it), has made its […]

  Mitch Metcalf will have more to say about this weekend’s actual boxoffice numbers versus Sunday’s studio estimates later today, but one point is worth noting for its Oscar implications.  It was important to Warner Bros that ARGO, the studio’s big awards season hope and the fruit of its golden-boy director Ben Affleck (and also […]