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August 18, 2024

Behind the US/Worldwide Weekend Box Office – 8.18.2024

 

OPENINGS:  ALIEN: ROMULUS (20th/Disney) became the latest franchise product to hit big this summer, arriving at the high end of expectations with $41.5M.  That was higher than 2017’s Alien: Covenant ($36.2M), although below 2012’s Prometheus ($51.1M).  The film was also solid overseas, with a $66.7M start sparked by $25.7M from China.  Romulus was budgeted moderately for big-studio sci-fi, with production/marketing costs around $150M, so it has a clear route to profit.

A re-release of CORALINE (Fathom) surprised with $8.4M for the 3-day weekend ($11.3M with Thursday), not too far below the $16.9M for its original opening in 2009.

The Indian-language STREE 2 (Parth) earned $2.1M for the 3-day weekend ($2.6M with Thursday) at just 666 theaters.

MY PENGUIN FRIEND (Roadside) barely passed $1M at 1080 theaters, a low weekend per theater $900 average.

SKINCARE (IFC) fared even worse with $300K at 768, a lousy $400 average.

ROB PEACE (Republic) launched at a barely-wide 526 theaters with $250K, a $500 weekend per-theater average.

HOLDOVERS:  DEADPOOL AND WOLVERINE (Marvel/Disney) continued to have solid holds, down 46% to $29M in its 4th weekend.  It’s on pace to pass The Avengers‘ $626.4M as the #4 MCU title in the US.  Overseas, it has $596.8M after a $32.9M weekend in 52 markets.

IT ENDS WITH US (Wayfarer/Columbia/Sony) proved not to be front-loaded, down 52% to $24M and headed toward $150M+ in the US.  It’s also hitting big internationally, with $82.2M after a $33.1M weekend.

TWISTERS (Warners/Universal, also on VOD) dipped 35% to $9.8M in its 5th weekend, on its way to $265M in the US.  However, overseas remained comparatively paltry with $95M.

After 7 weeks, DESPICABLE ME 4 (Illumination/Universal) had the best hold in the Top 10, down 25% to $6M as it prepared to top $350M in the US, although it may not reach Despicable 2‘s $368.1M.  The international total is $507M.

TRAP (Blinding Edge/Warners) dropped 48% to $3.4M, and may get to $45M in the US.  It has $27.1M overseas.

INSIDE OUT 2 (Pixar/Disney) lost 34% to $3.2M in its 10th weekend, on its way to $650M in the US.  The international number is even higher at $983.8M.  The global total of $1.63B is about $37M below the all-time animation leader, 2019’s CG The Lion King.

BORDERLANDS (Lionsgate) plunged 73% to $2.4M, and won’t get much past $20M in the US.  Things were no better overseas, where the total is $5M to date.

HAROLD AND THE PURPLE CRAYON (Columbia/Sony) fell 67% to $1M, and may run out of gas before reaching $20M in the US.  It has $5.1M overseas.

LIMITED RELEASE:  DIDI (Focus/Universal) expanded to 427 theaters with a meh $1600 weekend per-theater average.  SING SING (A24) widened to 112 and averaged $2200.  GOOD ONE (Metrograph) averaged $3500 at 13.  THE GOOD HALF (Fathom) averaged $700 at 53.

NEXT WEEKEND:  The dog days of August are a festival of thrillers:  BLINK TWICE (MGM/Amazon), THE CROW (Lionsgate) and STRANGE DARLING (Miramax).  Christian audiences will have an alternative with THE FORGE (Affirm/Sony).

 



About the Author

Mitch Salem
MITCH SALEM has worked on the business side of the entertainment industry for 20 years, as a senior business affairs executive and attorney for such companies as NBC, ABC, USA, Syfy, Bravo, and BermanBraun Productions, and before that, at the NY law firm of Weil, Gotshal & Manges. During all that, he has more or less constantly been going to the movies and watching TV, and writing about both since the 1980s. His film reviews also currently appear on screened.com and the-burg.com. In addition, he is co-writer of an episode of the television series "Felicity."