Another day, another record or two for STAR WARS: THE FORCE AWAKENS (Lucasfilm/Disney).  According to preliminary numbers at Deadline, its Saturday was no less than $55M, which tidily dispatched the biggest 2d Saturday of all time ($42.9M for The Avengers).  Sunday should close out the biggest 2d weekend of all time at $155M or […]

  The underperforming spectacle of the week is INDEPENDENCE DAY: RESURGENCE (20th), which found out that not all that many people cared to see a sequel to a two-decade old hit without its original star.  According to preliminary numbers at Deadline, opening day was $17.5M (including $4M from Thursday evening), 33% below the already not-great […]

: Because Christmas Day falls on a Sunday, box office figures are incomplete this morning.  As is usually the case with Christmas Eve, business was down across the board yesterday, and if we look to 2011 as a guide, the Sunday bumps today may range from 40-60% for family movies like Sing and Moana, to […]

  Box office years typically start slow, with strong holds for holiday openings, and that’s proving to be the case for 2019 as well.  AQUAMAN (DC/Warners) will retain its crown, as early numbers at Deadline indicate a 46% decline on its 3rd Friday to $9.1M, which should mean a $30M weekend, and a path that […]

  MINIONS (Illumination/Universal) was expected to enfold the weekend box office in its little yellow fingers, and so it is.  Preliminary numbers at Deadline give it a $45M opening day, which appears to be the largest opening in the history of movie animation (the asterisk is because we now consider “Friday” to include Thursday night, […]

  GODS OF EGYPT (Summit/Lionsgate) has been sitting around for so long that Gerard Butler managed to make next week’s London Has Fallen in the interim, and its own studio has been bleating about how the downside had been limited through tax rebates and foreign pre-sales, so the ensuing thudding flop isn’t much of a […]

  GET OUT (Blumhouse/Universal) is the latest hit from the prolific low-budget horror production company that still has Split in the market, off to a fast start according to preliminary numbers at Deadline with $10.5M on Friday (including $1.8M from Thursday night).  Unlike most titles in the genre, Get Out also boasts terrific reviews (an […]

  HAPPY DEATH DAY (Blumhouse/Universal) continued a remarkable year for Blumhouse, following the giant successes of Split and Get Out.  Deadline has its Friday at a preliminary $11.3M (including $1M from Thursday night), and its 68% Rotten Tomatoes score is comparable to Split‘s 74%.  That film had a 2.7x weekend multiple, and even if Happy […]