It’s a deja vu weekend, as THE ACCOUNTANT (RatPac/Warners) had a $9M opening day (including $1.35M from Thursday night), according to preliminary numbers at Deadline, almost identical to last Friday’s $9.3M for The Girl On The Train (including $1.23M from Thursday night), another adult-aimed thriller with a production budget in the $40M range and […]
Box office discussions about AVENGERS: ENDGAME (Marvel/Disney) will revolve around records broken and those likely to fall. The first to go was the Thursday night record, which is now $60M (beating The Force Awakens‘s $57M and 54% above Infinity War‘s $39M), and now preliminary numbers at Deadline have Endgame‘s Thursday/Friday at $157M, absolutely smashing […]
It was Bombs Away! for the weekend’s new openings, and even though SULLY (Village Roadshow/RatPac/Warners) will easily win the stanza, it’s not performing thrillingly either. According to preliminary numbers at Deadline, its second Friday was $6.3M, down 48% from last week’s opening day. By comparison, the 2d Friday for Bridge of Spies was down […]
There’s usually a box office hangover after a holiday weekend opening, but the Friday-to-Friday drop for SOLO (Lucasfilm/Disney) was particularly sour, down 77% to $8M in preliminary numbers at Deadline, compared to the 73% for last year’s Pirates of the Caribbean V, and 74% for X-Men: Days of Future Past. In fact, it was […]
: Because Christmas Day falls on a Sunday, box office figures are incomplete this morning. As is usually the case with Christmas Eve, business was down across the board yesterday, and if we look to 2011 as a guide, the Sunday bumps today may range from 40-60% for family movies like Sing and Moana, to […]
The phenomenon of It having had its day, weekend box office is starting to look more familiar, which is to say subdued. KINGSMAN: THE GOLDEN CIRCLE (MARV/20th) will take the weekend, but hardly in impressive fashion. Preliminary numbers at Deadline have opening day at $15.7M, which includes $3.4M from Thursday night. 2 years ago, […]
The failure of ALLEGIANT (Summit/Lionsgate) puts its studio in an unusually awkward position. Even though Lionsgate may be able to put the 3rd Divergent movie on its books as a profit (most of the international rights were pre-sold, providing revenues that can off-set the oncoming US losses), the economics are going to get much […]
The $17.1M opening day (including $3.4M from Thursday night) for GHOSTBUSTERS (Columbia/Sony) reported in preliminary numbers at Deadline would be fine if the movie were at the same budget level as previous Paul Feig/Melissa McCarthy collaborations The Heat or Spy. But Ghostbusters cost 2-3x as much, $275M+ including production and global marketing, and a […]