> As is traditionally the case, movie boxoffice declined sharply on December 24, the lowest ebb of the holiday period. According to Deadline, MISSION: IMPOSSIBLE – GHOST PROTOCOL (Paramount) remains #1, with $5.6M on Saturday, a 40+% fall from Friday. Similarly, SHERLOCK HOLMES: A GAME OF SHADOWS (Warners) fell around 45% to $3.8M on Saturday. […]
Proving, once again, that opening night exit polls are all but meaningless, preliminary numbers at Deadline have NOAH (Paramount/Regency) rising as much as 20% from Friday to Saturday despite a “C” grade that supposedly predicted poisonous word of mouth. In fact, for a non-family release, a 20% Saturday bump is excellent–by way of comparison, […]
FANTASTIC BEASTS AND WHERE TO FIND THEM (Warners) wasn’t expected to touch the $60-90M opening day territory of the latter Harry Potter movies, since Fantastic is a spin-off that doesn’t include any of the major Potter characters. But preliminary numbers at Deadline have it at $29.4M, lower than any of the Potters, and even […]
A weekend of sequels is dancing to the beat of MAMMA MIA! HERE WE GO AGAIN (Perfect World/Universal), which had a $15.1M opening day according to preliminary numbers at Deadline. That’s up an impressive 53% from the first day of the original Mamma Mia, although some of the gap is due to the fact […]
Although it’s possible for a horror or action movie to make some money over Labor Day weekend, no studio opens a movie it cares about for the holiday that repels moviegoers. This weekend’s openings won’t change that rule. THE LIGHT BETWEEN OCEANS (DreamWorks/Reliant/Participant/Touchstone/Disney) was probably envisioned as an awards-worthy project when it was originally […]
GODZILLA (Warners/Legendary) is proving to be a somewhat frontloaded hit, with preliminary numbers at Deadline and elsewhere showing a Saturday drop of 15-20%, down from $38.5M on Friday to $32-32.5M. If that holds, it will be a much heavier fall than the ones for Captain America: The Winter Soldier (down 6% to $34.7M) or […]
This weekend’s boxoffice is something like a dead heat in a $5000 claiming race at a second-rate track. According to preliminary numbers at Deadline, TROUBLE WITH THE CURVE (Warners), END OF WATCH (Open Road) and HOUSE AT THE END OF THE STREET (Relativity) are all claiming identical $13.2M totals for the weekend. This means […]
STAR WARS: THE LAST JEDI (Lucasfilm/Disney) was expected to be gigantic, but not quite as huge as 2015’s The Force Awakens, which benefited from a decade of pent-up expectations. That’s exactly where it’s heading, as preliminary numbers at Deadline have Friday at $100.4M, of which $45M is from Thursday night. That opening day is […]