OPENINGS: With a $17.5M Friday that should get it close to $50M for the weekend, GRAVITY (Warners) is the first of the year’s Oscar hopefuls to get both rapturous reviews (98% on Rotten Tomatoes) and strong audience support. That doesn’t guarantee awards in February–the Academy often resists science-fiction and fantasy when it’s time to […]
The Martin Luther King Day holiday tends to be a day off more for schoolchildren than for adult employees, meaning that at the boxoffice, it benefits family movies–of which there’s a distinct shortage right now. For adult-oriented films, the Friday gross is often around 25-30% of the 4-day weekend total (with new openings at […]
Despite a trio of new entries as competition, BEAUTY & THE BEAST (Disney) wasn’t expected to have any trouble staying in control of its 2d weekend, and it didn’t. Preliminary numbers at Deadline have Friday at $21.2M, down 67% from opening day last week. That’s only an OK hold, compared to the drops of […]
There were no new openings for New Year’s weekend, and not much in the way of surprises among the returning titles. ROGUE ONE (Lucasfilm/Disney) continued its ride through the holidays with $18.1M on Friday according to preliminary numbers at Deadline. That’s up about 8% from Thursday, and business should go down on New Year’s […]
AVENGERS: INFINITY WAR (Marvel/Disney) exists on that rarefied box office plane where even a reported $450M in production/marketing costs can be waved off in comparison to the certain returns to come. Deadline is reporting its opening day at $104M ($39M from Thursday night), which would be just slightly the #3 opening day in US […]
SUICIDE SQUAD (RatPac/DC/Warners) was expected to explode past all August box office records, and so far, that’s what it’s doing. According to preliminary numbers at Deadline, opening day was as high as $65M (including $20.5M from Thursday night), obliterating the $37.8M for Guardians of the Galaxy, and the weekend will gallop beyond Guardians‘s $94.3M, […]
OPENINGS: 22 JUMP STREET (Sony/Columbia) went even higher on Friday than early estimates had it, reaching $25M. Even if it’s front-loaded as a young-skewing sequel, a $60M weekend is all but guaranteed, which would be 65% higher than the $36.3M opening weekend for 21 Jump Street, and if strong word of mouth kicks in, […]
2018, as is often the case, is kicking off at the box office, with low-budget horror, and according to preliminary numbers at Deadline, INSIDIOUS: THE LAST KEY (Blumhouse/Universal) easily took Friday with $12.5M (including $2M from Thursday night). That’s a very solid number, not up to the $16.8M for January 2012’s The Devil Inside, […]