OPENINGS:  ADRIFT (H Brothers/STX) was at the top of a very low hill with $11.5M (plus $350K in 9 overseas territories).  STX, which only has domestic rights, is claiming to be on the hook for only around $30M in limited production and marketing costs, but even at that number, it may not break even, […]

  OPENINGS:  Things couldn’t have gone better for M. Night Shyamalan’s SPLIT (Blumhouse/Universal).  It built on its strong Friday with a 13% bump, extremely good for a horror movie, and is estimating $40.2M for its weekend in the US against modest production/marketing costs of about $50M, which means a healthy profit is a sure thing.  […]

  It’s a deja vu weekend, as THE ACCOUNTANT (RatPac/Warners) had a $9M opening day (including $1.35M from Thursday night), according to preliminary numbers at Deadline, almost identical to last Friday’s $9.3M for The Girl On The Train (including $1.23M from Thursday night), another adult-aimed thriller with a production budget in the $40M range and […]

WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 by studio.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is still marginally above last year and still +3% above the average for this point the past four years ($10.184 billion).  Over the same period, Hollywood films have grossed $26.2 billion worldwide when […]

  OPENINGS:  The Saturday bump for 10 CLOVERFIELD LANE (Bad Robot/Paramount) was 8%, a solid number for its genre that indicates good word of mouth.  That gave it a $25.3M weekend, a bit higher than Friday indicated, although still not where it might have gotten had the Cloverfield connection (or relative lack thereof) been clearer.  […]

>The Worldwide Box Office revenue chart has been expanded to the Top 30 releases this week (currently the cut-off to make the list is about $150 million worldwide).  Through Sunday, The Smurfs have moved up to #8 and is closing in on $500 million worldwide ($144 million domestic and an incredible $345 million overseas). Rise […]

>Three films are now in or projected to be in the $1 billion worldwide box office club: Harry Potter and the Deathly Hallows Part 2, Pirates of the Caribbean: On Stranger Tides and Transformers: Dark of the Moon.  Clearly, movies with long titles (not surprisngly blockbuster sequels) are being rewarded and embraced around the world.  The […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +6% above last year and now +15% above the average for this point […]