OPENINGS:  PIXELS (Columbia/Sony) isn’t the first Adam Sandler movie to approach a $90M production budget–incredibly, the first Grown Ups reportedly cost that much–but as his audience shrinks, it becomes more difficult to justify a greenlight for him at that level.  Pixels is reporting a very mild $24M weekend in the US (that number assumes […]

> The Hollywood Reporter has some early numbers for the weekend’s overseas boxoffice.  (Remember:  comparisons of international boxoffice receipts aren’t necessarily apples-to-apples, as films follow different distribution patterns with respect to number and size of markets.)  As in the US, BREAKING DAWN PART 1 is in the lead, with a projected $40M from 73 territories […]

  OPENINGS:  NAPOLEON (Apple/Sony) launched at the higher end of expectations, with $20.4M over the 3-day weekend and $32.5M for the 5-day holiday.  As with Apple’s Killers of the Flower Moon, however, that leaves it a long way from any hope of breakeven on roughly $300M in production/marketing costs (particularly considering that audience polling indicated […]

  OPENINGS:  Pedro Almodovar’s PARALLEL MOTHERS (Sony Classics) expanded to wide release at 684 theaters in anticipation of the Oscar nominations that are little more than a week away, but its $300K weekend translated into a per-theater average under $500. HOLDOVERS:  The lack of any new Hollywood competition was as usual good for the films […]

  OPENINGS:  After last week’s Fall Guy stumble, KINGDOM OF THE PLANET OF THE APES (20th/Disney) arrived at the high end of projections with $56.5M.   That was roughly on par with the starts for 2011’s Rise ($54.8M) and 2017’s War ($56.3M), although a bit lower than 2014’s Dawn ($72.6M).  The franchise has reliably done better […]

  OPENINGS:  TOMB RAIDER (MGM/Warners) was a reboot that no one asked for, and although franchise movies aren’t star vehicles, the casting of Alicia Vikander in the lead didn’t excite anyone either.  Its $23.5M US weekend won’t get it very far in recouping $200M+ in production/marketing costs.  Things are better overseas, where Tomb Raider earned […]

  OPENINGS:  FIRST MAN (Perfect World/Universal) had an underwhelming $16.5M start, and considering its older-skewing audience, its 10% Saturday bump wasn’t impressive either.  It carries $150M+ in production/marketing costs, and a $50M US total would leave it at risk for red ink, since its very American story (flag controversy notwithstanding) makes foreign appeal questionable.  It […]

  OPENINGS:  INSIDIOUS: THE RED DOOR (Screen Gems/Sony) reaffirmed the strength of the low-budget horror genre with a $32.7M start, better than the $29.6M launch of 2018’s The Last Key (which didn’t feature the full original cast).  Red Door should reach $65M+ in the US, guaranteeing profitability on a reported $16M production budget and relatively […]