OPENINGS:  SCARY STORIES TO TELL IN THE DARK (CBS/Lionsgate) dropped 21% on its 2nd day of release, which isn’t unusual for the horror genre (recently, The Curse of La Llorona fell 26% on its Day 2, and Child’s Play was down 25%), resulting in a $20.8M weekend, and a likely $40M US total.  Scary […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -10% below last year’s comparable span (3 points better than last week and 8 points better than two weeks ago) and now -3% below the average at this point the […]

  OPENINGS:  THE MARKSMAN (Open Road) allows Liam Neeson to lay claim to being the most prolific movie star of the pandemic, following on the releases of Honest Thief and the smaller-scale Made In Italy.  Despite a holiday weekend opening, Marksman‘s 3-day $3.2M start is below the $4.1M for Honest Thief, with a 4-day total […]

  OPENINGS:  ARTHUR THE KING (Lionsgate) was clearly hoping to emulate the sleeper success of 2022’s Dog, which ran a $14.9M opening into $61.8M in the US.  However, the Mark Wahlberg vehicle came up very short with a $7.5M start.  Production/marketing costs are reportedly $60M, which will make for a tough road to profit.  Arthur […]

  The studios continued to be bullish on their holiday estimates, with preliminary Monday numbers expecting strong business that may or may not be confirmed in final box office figures tomorrow.  For now, the most optimistic film is HEAVEN IS FOR REAL (TriStar/Sony), expecting a mere 7% drop on Monday, with the older skewing NEIGHBORS […]

Madagascar 3: Europe’s Most Wanted had a good week around the world, now $157 million overseas to date (up from $76 million last week).  Madagascar is headed for $600+ million worldwide ($215 million domestic according to our ShowbuzzDaily projection and the overseas total to date should approach $400 million).  For comparison: Madagascar 2, November 2008, $604 million worldwide […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -24% below last year’s comparable span and now -17% below the average for this point the past four years ($1.733 billion).  Over the same period, Hollywood films have grossed $4.0 […]

OPENINGS:  TERRIFIER 3 (Cineverse) broke through to a mainstream audience with an $18.3M weekend, which is more than the entire $10.6M run of 2022’s Terrifier 2 (that one’s highest weekend was $1.9M).  The new entry in the unrated, ultra-violent slasher series accomplished this with not just a low production budget, but reportedly a miniscule amount […]