OPENINGS:  HALLOWEEN ENDS (Universal, also on Peacock) underperformed badly with $41.3M, about 25% below pre-release expectations, and 17% under the $49.4M start for last year’s Halloween Kills, despite a stronger Thursday night start than Kills ($5.4M vs $4.9M).  The excuse de jour is the Peacock release, which would be dubious in any case considering […]

  OPENINGS:  NO HARD FEELINGS (Columbia/Sony) slightly exceeded tracking expectations with $15.1M, but those expectations were themselves quite low.  With production and worldwide marketing costs in the neighborhood of $100M, the film will need to hold strongly for the next several weeks to reach any profit, and while it has the hard-R comedy field to […]

  OPENINGS:  ABIGAIL (Universal) launched at the low end of expectations with $10.2M, lower than the $11.8M for Night Swim and virtually the same as the $9.9M for Imaginary.  Those films are respectively at $32.5M and $28M in the US, which is the likely range for Abigail.  However, the new film reportedly cost $28M before […]

>Surging to the top of the worldwide box office chart, The Adventures of Tintin from Steven Speilberg has racked up $125 million overseas in two weeks.  The animated film (with the unorthodox but highly successful pattern of opening overseas well before it does in North America) has a shot at well over $300 million worldwide […]

Updated tracking of overseas box office.  Taken 2 is really starting to pick up steam overseas (up $65 million overseas since last week’s report), while Argo and Sinister open this weekend in the middle of the worldwide pack (with limited overseas prospects).  

  OPENINGS:  After a painful post-Hobbit winter, Warners was in dire need of a hit, and Jackie Robinson became its great American hero, as 24 (Warners) had a very strong $9.1M opening day.  Word of mouth should be on the movie’s side–the challenge for the studio was to get people into the theaters in the […]

  Last week we ran through all the major Hollywood studios–Disney, Warner Bros, Paramount, Sony, 20th Century Fox and Universal–to see how their summers have been going.  Today we’ll take a look at Lionsgate, which is generally considered a “mini-major,” a studio that doesn’t release films with the volume or budget of the majors, but […]

  OPENINGS:  Stop me if you’ve heard this before:  an expensive action-adventure will need to overperform internationally in order to get past its red ink.  With Thor 2 opening in just a week, ENDER’S GAME (Summit/Lionsgate) had a very narrow window to make an impression, and its $9.9M Friday, probably meaning a weekend in the […]