July 3, 2016

Year to Date Box Office & Worldwide Studio Scorecard 7.3.2016

More articles by »
Written by: Mitch Metcalf
Tags: , , , , , , ,

WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 by studio.


Studio YTD 2016 as of 2016 Jul 03

YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is now -1% below last year and now +1% above the average for this point the past four years ($5.137 billion).  Over the same period, Hollywood films have grossed almost $13.5 billion worldwide when we add overseas box office (that’s now -2% below the comparable worldwide box office last year at this stage but still ahead of 2014 by +5%).

A reminder: we define the start of each year as the first Monday after New Year’s Day, and our year ends on the Sunday after New Year’s Day the following calendar year.  (The most recent week’s numbers are based on weekend estimates, which are usually at worst a couple of percentage points off from the final weekend tallies.) 

(billions) Weeks 1-26
North America Worldwide
2016 $5.212 $13.480 Jan 4-July 3
2015 $5.257 $13.758 Jan 5-July 5
2014 $4.940 $12.895 Jan 6-July 6
2013 $5.221 n/a Jan 7-July 7
2012 $5.129 n/a Jan 2-July 1

The past six weeks in North America are down -7% from the same period last year (better than recent weeks: -12% pace last week and -17% pace two weeks ago) and now -4% below the four-year average for the similar six-week period ($1.532 billion).

North American Box Office PAST SIX WEEKS
2016 $1.477 since May 23
2015 $1.591 since May 25
2014 $1.411 since May 26
2013 $1.782 since May 27
2012 $1.343 since May 21


WORLDWIDE GROSSES BY FILM TITLE.  Here are the updated 2016 film rankings.

International 2016 through 2016 Jul 03



About the Author

Mitch Metcalf
MITCH METCALF has been tracking every US film release of over 500 screens (over 2300 movies and counting) since the storied weekend of May 20, 1994, when Maverick and Beverly Hills Cop 3 inspired countless aficionados to devote their lives to the art of cinema. Prior to that, he studied Politics and Economics at Princeton in order to prepare for his dream of working in television. He has been Head of West Coast Research at ABC, then moved to NBC in 2000 and became Head of Scheduling for 11 years.