WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio, including early 2018 dollars for films released later in 2017. We will start tracking the 2018 studio slates in a few weeks. YEAR TO DATE BOX OFFICE. A first look at 2018 year to date after only one week. A reminder: […]

  VENOM (Tencent/Columbia/Sony) easily set a new October opening record with a studio-reported $80M weekend, far ahead of Gravity‘s $55.8M.  However, Venom dropped 19% on Saturday, worse than Thor: The Dark World (1% increase), Doctor Strange (4% drop) and even Justice League (15% drop), although certainly far better than the 38%/41% plunges for Batman v. […]

  OPENINGS:  It’s possible to make money on Super Bowl weekend, as hits like Dear John ($30.5M), Taken ($24.7M) and Chronicle ($22M) have shown.  But MISS BALA (Columbia/Sony) didn’t have what it takes, with a sluggish $6.7M start.  The 5% Saturday bump suggests that word of mouth isn’t bad, but next weekend it will have […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -7% below last year’s comparable span (3 points better than last week) and now +1% above the average at this point the past four years ($4.105 billion).  Over the […]

  OPENINGS:  ABOMINABLE (Pearl/DreamWorks/Universal) seized a weekend on the calendar that had a dearth of new children’s movies (and with 2 weeks until The Addams Family opens), and pushed it to a fair $20.9M opening.  However, with roughly $150M in costs, it will need international help to reach profit, and since weekend results were at […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studios (films entering wide release in the 2019 calendar year), including worldwide box office for those films during 2020. We will begin the track of the 2020 slate soon. BOX OFFICE. Looking at North American box office, 2020 is now +18% […]

  OPENINGS:  WW84 (DC/Warners)–that’s the official title per the credits–had the biggest US opening of the pandemic era with $16.7M (a $7800 per-theatre average), much higher than the $9.7M for The Croods: A New Age, and even more impressive considering that millions more stayed home to watch the movie on HBO Max.  The weekend box […]

  OPENINGS:  There’s no way to spin the $10.5M US opening of  Steven Spielberg’s WEST SIDE STORY (20th/Disney), and its even worse $4.4M start in 37 overseas territories (with $2.8M of that from France and the UK), as anything but flat-out bad.  Unlike other 2021 musicals like In the Heights ($11.5M opening even with a […]