MURDER ON THE ORIENT EXPRESS (20th) had a surprising amount of marketing muscle behind it, and at least in the short term it seems to be paying off.  According to preliminary numbers at Deadline, opening day was $10.6M (including $1.6M from Thursday night), and considering that Murder is aimed at an older audience that […]

  The gamble of CRAZY RICH ASIANS (Color Force/SK Global/Warners) is paying off with solid returns.  The film opened on Wednesday and earned $8.8M in its first two days, and preliminary numbers at Deadline have its Friday at $7M.  That should give it a $21M 3-day weekend and around $30M since opening day.  A $70M […]

  ONCE UPON A TIME… IN HOLLYWOOD (Columbia/Sony), the summer’s great adult-oriented, non-franchise, auteur/movie star hope, had a solid start per preliminary numbers at Deadline with a $16.7M opening day (including $5.8M from Thursday night).  That’s the biggest opening of Quentin Tarantino’s career, higher than the $14.4M for Inglourious Basterds and the $15M for Django […]

  THE HOBBIT: THE BATTLE OF THE FIVE ARMIES (New Line/MGM/Warners) had a royal start with $11.2M in shows that began at 7PM on Tuesday night.  This is the first Hobbit movie to open midweek, but the Tuesday number is better than the $8.8M that The Desolation of Smaug earned on its opening Thursday night […]

  It’s a deja vu weekend, as THE ACCOUNTANT (RatPac/Warners) had a $9M opening day (including $1.35M from Thursday night), according to preliminary numbers at Deadline, almost identical to last Friday’s $9.3M for The Girl On The Train (including $1.23M from Thursday night), another adult-aimed thriller with a production budget in the $40M range and […]

  Although some films have opened well against the Super Bowl, both counterprogramming (the Hannah Montana concert movie and Dear John) and playing toward the action genre (Taken and Chronicle), as a rule the studios stay away, and that was the case this year.  The only wide opening was the low-budget horror flick WINCHESTER (CBS/Lionsgate), […]

  The lack of any new wide openings and the arrival of the year’s Golden Globe nominations are making for a strong holdover weekend, although for some titles more than others.  According to preliminary numbers at Deadline, RALPH BREAKS THE INTERNET (Disney) continued to decline rather swiftly, down 38% from last Friday to $3.5M, where Moana […]

  “It’s the weather!” studios cry when they don’t have anything e;se to say, so that’s the spin being heard throughout the land upon Wednesday’s soft opening of ROBOCOP (Sony/MGM).  The reboot managed only $2.8M at 3372 theatres, not a sign of great interest.  It’s true that there were storms in much of the country, […]