Preliminary numbers at Deadline give the Valentine’s Day boxoffice edge to, appropriately enough, the Nicholas Sparks sudsfest SAFE HAVEN (Relativity), probably at the expense of many unwilling spouses and significant others.  The soap is reported to have taken in around $10M for the day.  It will probably fall as the weekend shifts from Valentine’s […]

  Despite a $8.7M start on Thursday night that was no better than the year’s other blockbusters, and bulletins throughout the day that business was slightly softer than expected, reports at Deadline and elsewhere are now claiming that TRANSFORMERS: AGE OF EXTINCTION (Paramount) surged to $40M on Friday, which would be the biggest day of any […]

> Monday boxoffice is tricky to analyze, because as you’d expect, the all-time list of Monday grosses is largely a history of long holiday weekends, namely Memorial Day, July 4th, Martin Luther King Day, and Christmas/New Year’s week.  So strictly speaking, THE HUNGER GAMES’ $10.8M gross on its 4th day in theatres is only the […]

>With over $3 billion of summer box office through Wednesday, only $53 million separates Teams Metcalf and Salem.  Metcalf’s slate of movies leads with $1.59 billion versus $1.54 billion for Salem’s.  Only one film (30 Minutes or Less) is left to open, and Salem should enjoy a strong second weekend for Rise of the Planet […]

  OPENINGS:  A bit surprisingly, LONE SURVIVOR (Universal) had no Saturday bump to speak of (under 1%), giving it a more frontloaded weekend than a movie appealing to an older audience (which tends not to run out on opening night) with strong reviews might be expected to have.  American Hustle, by way of comparison, went […]

  OPENINGS:  Comparisons between THE BUTLER (Weinstein) and The Help 2 years ago are somewhat skewed by the fact that Help opened on a Wednesday, so it had already earned $9.9M before its $26M weekend.  Nevertheless, an $8.3M Friday and probably a $22-25M weekend is excellent for Butler, whose next hurdle will be to show if […]

  OPENINGS:  THE GRUDGE (Columbia/Sony) tried to take advantage of Hollywood’s early January fallow period, but at $11.3M, the reboot of a remake found few takers, far below the $29.6M for 2018’s Insidious: The Last Key, and also less than the $13.7M for 2017’s Underworld: Blood Wars and the $15M for 2015’s The Woman In […]

  OPENINGS:  The only new arrival this weekend certain of profitability is THE CONJURING 2 (New Line/RatPac/Warners).  It’s already earned $40.4M in the US (just lightly behind the first Conjuring‘s $41.9M opening) and $50M in 44 overseas markets, and although horror movies and sequels are usually frontloaded, even in a worst cast scenario it will […]