STUDIO SCORECARD. In the worldwide studio rankings for 2013 to date, Warner Brothers solidified its first place position, thanks to Gravity.  As we do with all films, the full estimated domestic tally has been added to the studio year to date total, while the overseas numbers will be added as those actual results come in.  So […]

For the 13 days December 16-28, the top 10 films each day in North America have totaled $711 million, now -14% below last year’s record pace but +45% above the average since 2002. Holiday Box Office Volume — Top 10 Films North America $ millions by year $ millions (2002-2015) # days Period 2016 2015 2014 2013 […]

    Beware of studio estimates and round numbers. OPENINGS:  In order to get MEN IN BLACK 3 (Sony) to a round $70M for the 4-day weekend, the studio had to claim the lowest Monday drop of the market’s Top 9 films–even though MIB3 hasn’t shown any particular strength with the family matinee audience (its […]

> The Hollywood Reporter has some early numbers for the weekend’s overseas boxoffice.  (Remember:  comparisons of international boxoffice receipts aren’t necessarily apples-to-apples, as films follow different distribution patterns with respect to number and size of markets.)  As in the US, BREAKING DAWN PART 1 is in the lead, with a projected $40M from 73 territories […]

> No miracle turnarounds for this weekend’s dismal boxoffice.  BREAKING DAWN PART 1, despite a major decline from last weekend, will be in first place with $16-17M, followed by a disappointing 2d weekend for THE MUPPETS at $11M, with HUGO and ARTHUR CHRISTMAS hovering at around $7.5M (although Hugo is in far fewer theatres than […]

>Through Sunday, Team Metcalf is holding on to a $39 million lead over Team Salem in the ShowBuzzDaily Summer Movie Draft.  The terrific opening of Harry Potter was balanced somewhat by decent holds for Transformers 3, Horrible Bosses and to some extent Zookeeper.  We expected Salem to pull ahead by Sunday, but that should happen sometime […]

  OPENINGS:  The only wide launch this week (2027 theatres) was the horror movie THE EMPTY MAN (20th/Disney), which despite its big-studio credentials had a nearly invisible level of marketing behind it, and started with a $1.3M weekend that was low even by pandemic standards. AFTER WE COLLIDED (Open Road) had a limited arrival at […]

  OPENINGS:  Horror has been one of the more reliable genres at the pandemic box office, and CANDYMAN (MGM/Universal) opened with a solid $22.4M, buoyed by unusually good reviews (85% on Rotten Tomatoes).  That offset a weaker showing overseas, where it earned $5.2M in 51 markets. HOLDOVERS:  FREE GUY (20th/Disney) enjoyed its final pre-Shang Chi […]