Updated international box office chart:
>Based on Friday and Saturday box office (and estimated Sunday numbers), Paranormal Activity 3 is now looking like a $54 million opening weekend, almost matching the last big opening ($54.8 for Rise of the Planet of the Apes on August 5) and blowing past the $41 million opening for Paranormal Activity 2 this week last year. […]
> The past week (seven days ending Sunday) is flat versus last year’s comparable week. Year-to-date box office is now down 4.0% versus last year. The Debt opened on Wednesday and is currently on track for $38 million final in North America, with some upside possible depending on the second week. The other two new films this […]
OPENINGS: CREED III (UA/MGM/Amazon) launched with an impressive $58.7M, higher than the 5-day Thanksgiving weekend starts for the previous entries in the series ($42.1M/$56M), and also higher than any of the Rocky movies (not adjusted for inflation). As is typical for this franchise, overseas was somewhat softer, with $41.8M from 75 markets. Nevertheless, the […]
OPENINGS: MALEFICENT: MISTRESS OF EVIL (Disney) had a weak $36M start in the US, down 48% from the $69.4 opening of the first Maleficent 3 years ago. If Mistress of Evil manages the same multiple as its predecessor, it could reach $125M in the US, but that may be a stretch, because Maleficent opened […]
The see-saw continues in the 2013 studio rankings. Disney moved back into first (thanks to the domestic release of Frozen with overseas still to come) and Warner Brothers moved back into second place. Meanwhile continued strength from The Hunger Games: Catching Fire (a big increase in overseas grosses and an upgrade in the domestic forecast total) pushed Lionsgate/Summit to […]
THE FAULT IN OUR STARS (20th) was expected to get off to a quick start, thanks to its wildly enthusiastic young female fanbase, and it did: $8.2M, a huge number for a non-special effects movie. (It includes shows at 650 theatres with $25 tickets that bought fans a closed-circuit interview with cast and crew […]
OPENINGS: FIFTY SHADES FREED (Perfect World/Universal) declined a mild 17% from Fifty Shades Darker to $38.8M, suggesting that Freed will end up around $95M in the US That wouldn’t be great compared to roughly $150M in production/marketing costs, but the Fifty Shades franchise has always made the bulk of its revenue overseas, and that’s […]