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Year to Date Box Office & Worldwide Studio Scorecard 10.7.2018

Posted October 7, 2018 by Mitch Metcalf

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +9% above last year and now +11% above the average for this point […]

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EARLY FRIDAY BOX OFFICE: “Venom” & “A Star Is Born” Big, “The Hate U Give” Starts OK

Posted October 6, 2018 by Mitch Salem

  VENOM (Tencent/Columbia/Sony) is the first big-budget action movie to open since The Meg in mid-August, and that (plus a huge marketing campaign) seems to have gotten it past murderous reviews for an enormous start, the biggest ever in October.  Preliminary numbers at Deadline have opening day at $32.3M (including $10M from a Thursday that […]

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Behind the US/Worldwide Weekend Box Office – 9.30.2018

Posted September 30, 2018 by Mitch Salem

  OPENINGS:  NIGHT SCHOOL (Perfect World/Universal) had a surprising 18% Saturday bump (by comparison, both Central Intelligence and Girls Trip dropped 4% on their first Saturdays), suggesting that it’s appealing to a family audience.  That pushed the weekend to $28M, still not in the top rank of Kevin Hart openings ($34-35M for Get Hard, Ride […]

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Year to Date Box Office & Worldwide Studio Scorecard 9.30.2018

Posted September 30, 2018 by Mitch Metcalf

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +8% above last year and now +10% above the average for this point […]

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EARLY FRIDAY BOX OFFICE: “Night School” Soft, “Smallfoot” Mild, “Hell Fest” Low & More

Posted September 29, 2018 by Mitch Salem

  The weekend box office race may end up being quite close once matinees come into play, but NIGHT SCHOOL (Perfect World/Universal) took Friday, with preliminary numbers at Deadline putting it at $9.3M for the day (including $1.4M from Thursday night).  That’s below the $13M Friday for Kevin Hart’s Central Intelligence, and $12.9M for Get […]

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Behind the US/Worldwide Box Office – 9.23.2018

Posted September 23, 2018 by Mitch Salem

  OPENINGS:  THE HOUSE WITH A CLOCK IN ITS WALLS (Reliance/Universal) was built for weekend matinees, and a 47% Saturday bump carried it to a $26.9M weekend.  Among recent fall supernatural family movies, that puts it $3.2M above Goosebumps, and $2.2M below Miss Peregrine’s Home For Peculiar Children, suggesting a US landing place around $85M.  […]

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Year to Date Box Office & Worldwide Studio Scorecard 9.23.2018

Posted September 23, 2018 by Mitch Metcalf

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +8% above last year and still +11% above the average for this point […]

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EARLY FRIDAY BOX OFFICE: “House With A Clock” Dominates Sleepy Weekend; “Fahrenheit 11/9,” “Life Itself,” “Assassination Nation” Crash

Posted September 22, 2018 by Mitch Salem

  It’s been 7 weeks since Christopher Robin arrived for the family audience, and THE HOUSE WITH A CLOCK IN ITS WALLS (Universal) took advantage of that drought with a $7.7M opening day according to early numbers at Deadline, which should give it a $24M weekend.  House had a moderate production budget and a marketing […]

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