OPENINGS:  WHERE THE CRAWDADS SING (Columbia/Sony) launched with $17M, ahead of (low) expectations, and fueled by an audience of women in the midwest/south.  There’s no direct competition in sight, and it should be able to leg out past $50M in the US, which would be considered a win for the moderately-budgeted production.  Crawdads may […]

  OPENINGS:  Despite a bounty of new titles, nothing touched the holdover at the top of the weekend box office.  The newcomer with the closest claim to “success” in the US was THE POPE’S EXORCIST (Screen Gems/Sony), with $9.2M.  The horror movie also reported $27.4M in overseas release, which would put it on a road […]

  OPENINGS:  The traditional horror movie start of the new year was provided by NIGHT SWIM (Blumhouse-Atomic Planet/Universal), although at $12M it was the lowest such arrival since The Grudge started with $11.4M in 2020.  The final number for that one was $21.2M, and Night Swim probably won’t be much higher.  The international launch was […]

OPENINGS:  TERRIFIER 3 (Cineverse) broke through to a mainstream audience with an $18.3M weekend, which is more than the entire $10.6M run of 2022’s Terrifier 2 (that one’s highest weekend was $1.9M).  The new entry in the unrated, ultra-violent slasher series accomplished this with not just a low production budget, but reportedly a miniscule amount […]

> BREAKING DAWN PART 1:  Although BD1 had greater declines on Friday (as opposed to Thursday midnight) and Saturday than New Moon did in 2009, Summit’s weekend estimate assumes exactly the same 34% drop for Sunday.  So it’s possible their $139.5M figure could come down a bit in the actuals tomorrow (which could move the […]

  THE DARK KNIGHT RISES (Warners) did indeed have a big Saturday, as the preliminary numbers estimated–up 40% from Friday and fueling what should be a $63-65M 2d weekend, down about 60% from the opening.  It continues to run behind The Dark Knight, which had a $75.2M  Weekend 2 that was down only 53%, but […]

  OPENINGS:   A GOOD DAY TO DIE HARD (20th) pulled ahead of the competition on Saturday, and should have a $38M 5-day opening.  (However, its Sunday projection is on the optimistic side, so it’s possible the number could come down a bit.)  That’s 25% below the opening of Live Free Or Die Hard, and […]

  OPENINGS:   Two smart studio decisions bailed out what could have been a scary opening weekend for THE WOLVERINE (20th).  Fox kept the budget relatively low for its expensive genre, just $250M or so including worldwide marketing, and it boosted international appeal with an Asian setting.  Both paid off, as the movie had the robust […]