WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +9% above last year and still +11% above the average for this point […]

  OPENINGS:  THE INTRUDER (Screen Gems/Sony) performed on target with $11M, and given the massive competition and the fates of the weekend’s other arrivals, that counted as a win.  It still wasn’t anything to get excited about, considering that similar Screen Gems releases like When The Bough Breaks ($14.2M), No Good Deed ($24.3M) and The […]

  OPENINGS:  ANGEL HAS FALLEN (Millenium/Lionsgate) smartly picked a weekend to open that was far enough away from Hobbs & Shaw with its larger and overlapping audience, and near enough to the end of summer to keep the competition sparse  The result was a solid $21.3M opening, almost the equal of the last franchise installment […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 ends -4% below last year’s comparable 52-week span and basically even with this point the past four years ($10.656 billion).  Over the same period, Hollywood films have grossed over $27.7 billion […]

  OPENINGS:  FREAKY (Blumhouse/Universal) led the weekend at $3.7M.  It was the third consecutive weekend that a Universal-branded film opened at #1 (aided by the studio’s deal with AMC that allows its films to hit digital 3 weeks after theatrical release) and the fifth new #1 to open in the $3.1-4.1M range.  Like the others, […]

  OPENINGS:  DUNE (Legendary/Warners, also on HBO Max) launched in US theaters at $40.1M, the highest start for a film also premiering on HBO Max.  (And while Warners had previously preserved Thursday night for theatrical-only, the studio allowed Dune to hit HBO Max nationwide simultaneous with its first East Coast screenings.)  The film should also […]

  OPENINGS:  ELVIS (Warners) opened at the higher end of low expectations with $30.5M.  That technically put it into a dead heat with Top Gun: Maverick for the weekend crown, although that’s misleading because like virtually all big-studio openings, Elvis essentially had a 4-day opening, while Maverick‘s weekend didn’t get to count any of its […]

  OPENINGS:  JOHN WICK: CHAPTER 4 (Lionsgate) roared to a $73.5M start, more than 20% higher than its predecessor Parabellum‘s $56.8M.  If it holds at that pace–and it has no direct competition until Renfield on April 14–it should become the first title in the franchise to pass $200M in the US.  (Already, Lionsgate is pushing […]