OPENINGS:  STRANGE WORLD (Disney) couldn’t muster any significant family audience over the Thanksgiving holiday, with $18.6M for the full 5 days and $11.9M for the 3-day weekend.  Nor did it have appeal overseas, where it managed just $9.2M in 43 territories.  Strange World was a disaster that the studio seems to have seen coming, as […]

  OPENINGS:  There are still several days before THOR: THE DARK WORLD (Disney) reaches these shores, and it hasn’t opened yet in other major countries like China or Japan, but it’s already looking like a blockbuster, with a huge $109.4M start in 36 territories.  The first Thor made a total of $268.3M internationally, so the […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -18% below last year’s comparable span (1 point better than last week) and now -16% below the average for this point the past four years ($2.351 billion).  Over the same […]

  OPENINGS:  OVERBOARD (MGM/Pantelion/Lionsgate) opened in 45% more theatres than Eugenio Derbez’s How To Be A Latin Lover, and had a weekend that was 20% higher at $14.8M.  That’s not the cross-cultural breakout hit that the studio and Derbez had in mind, although an eventual $40M in the US will likely provide a modest profit […]

WORLDWIDE STUDIO SCORECARD.  Universal is the big gainer again this week, primarily because of continued overseas strength for Jurassic World.  Paramount had the second best week, thanks to Terminator: Genisys.  In contrast, Magic Mike XXL made a small contribution to its studio totals, giving Warner Brothers about the same modest week that Disney had with late overseas returns […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still down -3% from last year and still +1% above the average for this point the past four years ($7.076 billion).  Over the same period, Hollywood films have […]

  OPENINGS:  Under the current circumstances, the 5-day $17M opening ($9.7M Friday-Sunday) for THE CROODS: A NEW AGE (DreamWorks Animation/Universal) counts as a win, with comparisons to the original Croods or any other Thanksgiving release fairly pointless.  The film also earned $19.2M in China and $1.6M in 6 smaller international markets.  New Age reportedly had […]

  OPENINGS:  The release strategy for 1917 (Universal) has gone just about perfectly, culminating in a $36.5M wide opening weekend that was significantly ahead of industry expectations.  Universal screened the film to critics and guild groups at the end of November, unveiled it in limited release on Christmas Day with the benefit of strong reviews, […]