As Hollywood becomes more and more dependent on action and animation franchises, the US market becomes increasingly less relevant. OPENINGS:  NEED FOR SPEED (DreamWorks/Disney) made more money in China ($21.2M) on its opening weekend than it did in the US ($17.8M).  Combined with $24.4M from 39 other territories around the world, Need is likely […]

  OPENINGS:  SCARY STORIES TO TELL IN THE DARK (CBS/Lionsgate) dropped 21% on its 2nd day of release, which isn’t unusual for the horror genre (recently, The Curse of La Llorona fell 26% on its Day 2, and Child’s Play was down 25%), resulting in a $20.8M weekend, and a likely $40M US total.  Scary […]

> How long before the Hunger Games sequels start arriving in 3D? THE HUNGER GAMES:  On its current trajectory toward a $350-375M US total, THE HUNGER GAMES (Lionsgate/Summit) will end up among the 15-20th biggest movies of all time, outgrossing all the Twilights and every Harry Potter except Deathly Hallows Part 2.  At $61.1M, it […]

  OPENINGS:  Franchises continued to be the lifeblood (so to speak) of Hollywood, and this week it was SCREAM VI (Paramount) breaking its saga’s previous record with $44.5M, almost 50% higher than the $30M for last year’s Scream reboot.  It was also above the $40M for 2000’s Scream 3, although that would change with an […]

  OPENINGS:  JASON BOURNE (Perfect World/Universal) is claiming a $60M US start, although as is par for the course, that number includes an aggressive Sunday estimate and could come down a bit on Monday.  In any case, it will be the #2 opening for the franchise, behind the $69.3M for 2007’s Bourne Ultimatum.  That film […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2019 dollars for films released in late 2018. We will continue to track the 2018 slates until late February, when we will switch to tracking the 2019 slates. BOX OFFICE. Looking at North American box office, […]

  OPENINGS:  History seems to be repeating itself for filmmaker Kelly Fremon Craig, whose extremely well-reviewed ARE YOU THERE GOD?  IT’S ME, MARGARET (Lionsgate) opened with a soft $6.8M (and that studio estimate assumes an unusually strong Sunday).  That’s very similar to Craig’s also critically-praised 2016 The Edge of Seventeen, which had a $4.9M opening […]

  Note:  Because of the holiday weekend and consequent strong Sunday, weekend-to-weekend drops will look softer than usual. OPENINGS:  It was a weak battle of newcomers, with A WALK IN THE WOODS (Broad Green) ahead at $8.4M ($10.5M with Wed-Thurs earnings) vs. THE TRANSPORTER REFUELED (Europa/RED) at $7.1M.  Walk compares well to the $8.5M opening […]