OPENINGS:  None of the weekend’s wide arrivals found much of an audience.  BLINK TWICE (MGM/Amazon) led the weak group with $7.3M, and given its relatively low $20M+ production costs, it might hit breakeven, depending on how much the studio spent on marketing.  It was equally slow overseas with $6.7M in 73 markets. The Christian […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +3% above last year and now +12% above the average for this point the past four years ($1.389 billion).  Over the same period, Hollywood films have grossed […]

WORLDWIDE STUDIO SCORECARD.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is still +5% above last year and still +2% above the average for this point the past four years ($8.177 billion).  Over the same period, Hollywood films have grossed $22.1 billion worldwide when we add overseas box office (that’s now […]

  OPENINGS:  The biggest story of the weekend took place off American shores, as IRON MAN 3 (Disney) topped all expectations to open with a fantastic $195.3M in 42 territories (China and Russia are the notable ones still to come).  That’s higher than the $185.1M opening for The Avengers (in 39 territories that didn’t include […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -5% below last year’s comparable span and still +1% above this point the past four years ($9.593 billion).  Over the same period, Hollywood films have grossed over $25.5 billion […]

  OPENINGS:  With a $27.4M start, 2 GUNS (Universal) is probably headed for $85M in the US, a fair if unexciting return for a movie that claims to have (post-tax credits) a $61M production budget.  With Universal taking its marketing expenses and distribution fees off the top, there won’t be much profit for financiers Emmett-Furia […]

  OPENINGS:  THE NEW MUTANTS (20th/TSG/Disney) was DOA long before the world was engulfed by a pandemic, repeatedly postponed as first 20th and then Disney tried to figure out what to do with it.  The only reason it’s having a theatrical release at all is that 20th’s pre-Disney co-financier TSG had the contractual right to […]

  OPENINGS:  NOW YOU SEE ME (Summit/Lionsgate) had a fine $28.1M opening weekend considering its moderate cost ($75M plus marketing, but with 2/3 of that covered by foreign pre-sales), and with little competition coming next week, it could have a solid hold–plus it’s exactly the kind of light entertainment that thrives on home viewing platforms.  […]