OPENINGS:  THE BEST CHRISTMAS PAGEANT EVER (Lionsgate) is claiming “victory” among the newcomers, but its reported $11.1M comes with a huge asterisk, as $2.1M of that total was from a preview day the previous week.  Strictly on a weekend vs weekend basis, it wasn’t close to the win.  It’s also estimating the smallest Sunday […]

  OPENINGS:  LOVE THE COOPERS (CBS/Lionsgate) was the best of a bad bunch, launching with $8.4M.  That’s 30% less than the $12.5M start of 2005’s The Family Stone, but the studio can take some solace from the fact that Stone (which opened closer to Christmas) earned a 5x multiple from its opening weekend.  If Coopers […]

WORLDWIDE STUDIO SCORECARD.  Here is our first look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +1% above last year and now +10% above the average for this point the past four years ($1.257 billion).  Over the same period, Hollywood films have grossed […]

  OPENINGS:  After an October built on blockbusters that had been held off the market for more than a year, Thanksgiving weekend served as a reminder (to all except those paid to tout box office totals) that the theatrical release business continues to be far from recovered in the lingering Covid world.  Overall business was […]

WORLDWIDE STUDIO SCORECARD.  Universal remains a dominant #1, growing even more this week.  Unfriended helped a little with its domestic opening, but the big reason for the weekly again this week was Furious 7 which is exploding overseas.  As for the other openers this weekend, Paul Blart: Mall Cop 2 does not significantly improve Sony’s fortunes, nor does Monkey Kingdom for Disney. […]

WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 by studio.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is now +11% above last year and now +12% above the average for this point the past four years ($2.066 billion).  Over the same period, Hollywood films have grossed over $5.8 […]

  OPENINGS:  For a Wednesday opening, TRANSFORMERS: THE LAST KNIGHT (Huahua/Paramount) had a fairly good 27% Saturday bump in the US (by comparison, 2011’s Dark of the Moon went up just 5% on its parallel day), which pushed the weekend estimate a bit to $45.3M, giving the film $69.1M over 5 days.  That’s still far […]

  OPENINGS:  The $114M launch of WICKED (Universal) (which included “fan event” screenings throughout the previous week) set a new high for Broadway musical adaptations, and indeed for live-action musicals in general, while still being slightly behind sky-high expectations.  For those doing the 2023 vs 2024 comparison, it was also about 30% under the opening […]